Kevin Max – AWOL: All the people from the past just want it to last.

Artist: Kevin Max
Album: AWOL
Year: 2018
Grade: B+

In Brief: KMax once again proves himself to be more of a musical chameleon than a profound poet or a true innovator… but he obviously had a lot of fun taking a trip down memory lane on this heavily 80s-influenced album, and that makes the music quite infectious, even if it might not be terribly original.

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Katie Herzig live @ The Troubadour: Starting a revolution against our own confusion

Deep into Katie Herzig‘s set at the Troubadour in West Hollywood last night, as she was playing an acoustic version of the fan favorite track “Hologram” by request, two odd realizations suddenly came to me:

  1. Wow, this was the first Katie Herzig song I ever heard, and that was 10 frigging years ago.
  2. Why wasn’t this song a huge hit?!?!?!

Now, there are a ton of more-or-less independent artists I follow who seem to have a strong cult following on the Internet, and who I could get salty about in terms of the mainstream pretty much ignoring them. But a lot of them make music that might not be “catchy” in the conventional sense, so I’m cool with it not being mainstream radio fare. Katie Herzig, though, seems to be the type of unabashedly poppy singer.songwriter who should have had a real shot at some hits back in the late 2000s. I probably only think that because I’ve always been super out-of-touch with what it takes to actually make music popular, but regardless: “Hologram” was a fun, upbeat, ridiculously catchy, self-effacing song about relationship failure that should have found a much larger audience.

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Jon Foreman live @ Azusa Pacific University: Terminal Bliss

Jon Foreman’s “25 in 24” tour provided not only a fascinating behind-the-scenes glimpse at how his unlikely feat of performing 25 shows in 24 hours came to be a few years ago, but also reminded fans of just how deeply his conviction to live each and every hour of life he’s been given to the fullest still runs. This was a breathtaking show, with unique arrangements of songs from Foreman’s solo albums and a few fan-selected Switchfoot tracks, revealing entire new worlds of possibility behind even songs I’d known and loved for close to two decades.

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Barenaked Ladies – Fake Nudes: Relax, this isn’t Breitbart porn.

2017_BarenakedLadies_FakeNudesArtist: Barenaked Ladies
Album: Fake Nudes
Year: 2017
Grade: B

In Brief: I’m not gonna pretend any of this is super deep, or that the band could ever replace the unique voice of Steven Page, but it’s time for us to get over that. Fake Nudes, despite the awkward title, is a lighthearted, fun, and occasionally even beautiful pop/rock record with just enough curveballs to remind me that the group’s still got some of that old creative spark left.

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Coldplay – Kaleidoscope: I want something just like about 40% of this.

2017_Coldplay_KaleidoscopeEPArtist: Coldplay
Album: Kaleidoscope EP
Year: 2017
Grade: B

In Brief: While I feel like this EP’s release was a bit overhyped, and I’m not inclined to trust rumors of the band having recorded their final album, there are some genuinely exciting new directions taken here that I’d love to see the band explore a little further… and also some embarrassing attempts at pop culture relevance that I wish they’d bury once and for all.

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Haim – Something to Tell You: Baby, it’s about time!

2017_Haim_SomethingtoTellYouArtist: Haim
Album: Something to Tell You
Year: 2017
Grade: B

In Brief: No shocking changes here – the Haim sisters stick largely to what worked on their first album. There might be a few more slick R&B grooves and guitar solos that sneak up on you, and that helps to keep this from feeling like a total retread of Days Are Gone. Still, that album is slightly better song-for-song than this one.

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John Mayer – The Search for Everything: I Still Feel Like You’re Bland.

2017_JohnMayer_TheSearchForEverythingArtist: John Mayer
Album: The Search for Everything
Year: 2017
Grade: C

In Brief: This album seems like an amalgamation of all of Mayer’s previous sounds and styles. It’s a smidge more interesting to listen to than the pair of folk albums he released during his “rural isolation” period, and far less infuriating than Battle Studies, but I gotta be honest, I still prefer his first three albums, and that’s not likely to change any time soon.

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