Elbow – Audio Vertigo: Things They’ve Been Holding Back for Years

Artist: Elbow
Album: Audio Vertigo
Year: 2024
Grade: B

In Brief: The aptly named Audio Vertigo is surprisingly immediate and aggressive, for a band normally known for their buttery smooth lead vocalist and their tendency to pull off a well-executed slow burn. It’s not a completely unfamiliar side of the band; it’s more like a personality trait that came out once or twice per album in the past wound up dominating this one. This time around it’s the more romantic, swoony side of Elbow that takes a back seat, with only a track or two really hinting at it. The end result is a bit of a bumpy ride, but overall it’s a fun subversion of expectations from a supremely talented band that continues to surprise me with every record they put out.

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Green Day – Saviors: Hit me with power chords before you lay me dead.

Artist: Green Day
Album: Saviors
Year: 2024
Grade: B

In Brief: On the one hand, Saviors is a sonic walk down memory lane – what many might consider a “return to form” after its thoroughly forgettable predecessor. On the other hand, it’s not written with the intent of reliving the glory days. Sure, their inner teenagers might come out here and there for a bit of irreverent humor, but it’s the frustrated commentary on the turmoil of American life in the 2020s and the honest confessions of what it means to be an aging rock star still fighting off old demons that keep me coming back. I won’t pretend that I’m the biggest Green Day fan out there – not by a long shot. But it’s nice to have a version of Green Day back that seems to truly give a damn.

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Geographer – A Mirror Brightly: Faith isn’t blind. Was it playing you the whole time?

Artist: Geographer
Album: A Mirror Brightly
Year: 2024
Grade: B+

In Brief: Geographer’s smooth and cerebral blend of synthetic and organic pop sounds may not hid you over the head with big hooks on his new album as strongly as some of his past work has. But he still strikes a compelling balance between soothing melodic goodness, a few surprising experimental moments, and heartfelt and meaningful songwriting. To pigeonhole his music simply as “synthpop”, “indie pop”, or “dream pop” might do it a disservice, but he’s quite good at finding the boundary between the concrete and the ethereal, and poking at it with questions that need to be asked.

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Sleep Token – Take Me Back to Eden: Yea, though I walk through the uncanny valley of the shadow of genre-fluidity…

Artist: Sleep Token
Album: Take Me Back to Eden
Year: 2023
Grade: B

In Brief: One of 2023’s most acclaimed – and most polarizing – metal records is largely concerned with making sounds that one would be hard-pressed to describe as “metal”, or really even “rock”. Sleep Token is a band that is capable of being blisteringly heavy, but that is also fascinated with ambient soundscapes and computerized “bedroom pop”-type sounds, dodging genre expectations from one song to the next, or even at multiple points within a song. At times it sounds like an attempt to be all things to all listeners gone horribly awry – but there’s something about the cold, calculated nature of it all that lines up frighteningly well with their creepy masks and insistence on anonymity. Any humanity that exists behind the facade is subsumed in their slavish devotion to their bizarre religious lore. As weird as this all sounds, it’s also strangely addictive.

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Orchestral Manoeuvres in the Dark – Bauhaus Staircase: How will you ever say goodbye?

Artist: Orchestral Manoeuvres in the Dark
Album: Bauhaus Staircase
Year: 2023
Grade: B

In Brief: Whether it’s the geeky synthesized sounds that bring back warm memories of the 80s, or the smooth and emotionally weighty pop melodies that would sound good in any era, OMD manages a pretty good rundown of the various things they’ve excelled at on an album that may well be their swan song. If this is how these elder statesmen of synthpop choose to go out, then it’s a strong note to end on – a testament to their long-running legacy, and also a darn good fit for a 21st century revival of the genre that’s still going strong.

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Slowdive – Everything Is Alive: If I’m chained to a cloud, you can throw away the key.

Artist: Slowdive
Album: Everything Is Alive
Year: 2023
Grade: B+

In Brief: I went from never having heard of Slowdive to falling in love with the sound of their latest record in almost no time. Even knowing that they were one of a few pioneers of the shoegaze/dream pop sound back in the 90s and that they had a pretty successful revival going on in more recent years, I was still intimidated by how their music was described to me. Turns out I had nothing to fear – it’s just the right blend of diffuse, hazy, nostalgic abstraction and pop-adjacent electronic wizardry. The result is a record that, while I’m not sure I could ever fully understand it, is an absolute delight to listen to over and over again.

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The Mountain Goats – Jenny from Thebes: All Revisit West Texas

Artist: The Mountain Goats
Album: Jenny from Thebes
Year: 2023
Grade: B

In Brief: Don’t be intimidated by the vast amounts of lore in The Mountain Goats’ back catalogue, or even the fact that this album serves as a sequel to an album from over 20 years ago. The distinctive storytelling style, engaging instrumentation, and a surprisingly hopeful atmosphere despite the murky subject matter make this one of the easiest Mountain Goats records to get into, and an ideal jumping-on point for anyone who has been on the fence about checking them out.

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Peter Gabriel – i/o: How Much Is Real?

Artist: Peter Gabriel
Album: i/o
Year: 2023
Grade: B

In Brief: The long-gestating Peter Gabriel album that we’ve had over twenty years to speculate about delivers on its promises… mostly. It’s full of downbeat, classy reflections and upbeat, celebratory ones. Sometimes it’s ominous and gloomy about the state of contemporary society, sometimes it’s happy just to be alive. At times it’s bloated – Gabriel’s tendency to let songs unspool slowly can be a bit of an albatross at times – but the record hangs together better than anything he’s done since So, and considering that was over thirty years ago, that makes i/o a pretty big frickin’ deal.

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Suzi Quatro & KT Tunstall – Face to Face: That sacred mirror where your reflection is true.

Artist: Suzi Quatro & KT Tunstall
Album: Face to Face
Year: 2023
Grade: B

In Brief: These two women, who came up during very different eras of rock & roll, join forces on a fun collaborative project that I very nearly missed out on due to not knowing who one of them was. Mostly a pop/rock project with bits of blues, folk, and country mixed in, this ought to be an easy record for longtime fans of KT Tunstall to settle into… and for those like me who needed a history lesson, it’s a timely reminder of how long Suzi Quatro has been doing her thing, since the days when women had to fight to be the main attraction in a rock band and not just a pretty accessory.

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Obsessive Year-End List Fest 2023: Favorite Albums

As I prepare to write my fourth and final year-end list, it occurs to me that I just hit the tenth anniversary of the year I started doing these lists – at least in this expanded format – on this here WordPress blog. When I first started it up in late 2013, it was a workaround since Epinions.com, the now-defunct consumer review site where I used to post all my stuff, was slow about getting new albums into their database, and I wanted full control of what I chose to write about and when. That site went defunct in 2014, and while I miss the meager residual checks from whatever clicks those reviews got, I’m much happier doing it here for fun and zero profit.

Looking back on 2023 as I re-listen to these albums, I’m tempted to describe it as the first “normal” year we’ve had in a while – not that there aren’t chaotic and difficult things going on in my personal world or in the world at large during any given year, but it felt like we’d finally left behind the “constantly looking over our shoulders for the next big threat to our health and sanity” mindset that characterized the early 2020s. Interestingly, a few of my favorite albums this year were made as a response to unspeakable loss, and they somehow came out incredibly easy to engage with and relate to. But there’s some genuinely celebratory music on this list too – and angry music that works it out in more of a “purging my negative emotions and winning back my confidence” sort of way rather than a “wallowing in my misery” sort of way. It was a year of mostly good transitions away from a period of prolonged uncertainty and despair, I think.

Anyway, let’s get on with the show! Here’s what I thought were the best albums 2023 had to offer.

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