The Best of the Tenny Tweens, Part III: 41-60

We’re at the midpoint of the list now… this is where the absolute best of the B-plus range starts to blend into the A-minus range. But first, some more fun facts (or at least, facts that a nerdy analytical guy like me considers fun), this time related to geography. Where in the world are all of these artists from?

Continue reading

The Best of the Tenny Tweens, Part II: 61-80

Before we get on with the next 20 albums in my decade-end list, I thought it’d be interesting to break down all 100 by which year they came out.

9 of these albums came out in 2010.
17 of these albums came out in 2011.
10 of these albums came out in 2012.
18 of these albums came out in 2013.
7 of these albums came out in 2014.
9 of these albums came out in 2015.
6 of these albums came out in 2016.
9 of these albums came out in 2017.
12 of these albums came out in 2018.
4 of these albums came out in 2019.

(Yes, I know that the numbers above add up to 101. One of these albums was re-released, and I’m having a hard time choosing which version I like better. That’ll be addressed down below.)

Continue reading

The Best of the Tenny Tweens, Part I: 81-100

And now, finally, it’s time to get started with the Proper Top 100 list! A lot of truly excellent music came out in the 2010s, to the point where narrowing it down to the most deserving albums required a mental refresher on well over 200 albums that I had enjoyed during the last ten years. It’s taken me longer than expected to get this list off to a proper start, due to a bit of a counting mishap when I was choosing my finalists, resulting in some painful last-minute cuts when I realized that I had put more than 20 albums in my lowest tier out of the 100. But that’s all settled now, and I’ve got my list broken into 5 parts, during which I’ll take a look back at 20 great albums per installment.

Everything in this first section of the list would score a B+ if I reviewed it today, so it’ll be a little ways up the list before we get to the truly amazing stuff. But even within this initial batch of 20 albums, there are tons of fond memories that I get from going back and revisiting the vast majority of the tracks on each of these – and in a few cases, new memories still being formed, as I discovered a few of these albums for the first time during a huge back catalogue binge I embarked on last year.

Continue reading

Obsessive Year-End List Fest 2019: Favorite Albums

I’m gonna keep it lean this year and just stick to a Top 10 Albums list instead of my usual 20. It just seems right, what with the smaller pool of albums that I had to choose from which got a strong enough positive reaction from me that I’d recommend them to others without hesitation. This year I only gave a single album an “A” grade, and the rest of these are in the B to B-plus range. You might wonder if that’s a side effect of having listened to so much music from earlier in the decade over the course of 2019 (in preparation for the Decade-End list I’ve got coming up early in the new year) that I didn’t really make a lot of time for new releases, but I compared my 2019 Music Journal to the one from 2018, and I actually listened to almost the same amount of new albums both years. And I definitely tried brand new artists this year who might not have seemed at first like they’d be up my alley when their music was described to me – a few of those even landed in my Top 10! So it wasn’t for a lack of opportunity, or attentiveness on my part.

Anyway, these are the 10 albums that impressed me most in 2019. I’m sure I’ll eventually find others to add to this list retroactively (feel free to leave suggestions in the comments), so I don’t consider this a done deal. But it’s the end of the year now, and I wanted to at least document what albums I enjoyed the most while they were brand new.

Continue reading

Global Genius – New Folk: Don't play anything… play everything.

Artist: Global Genius
Album: New Folk
Year: 2019
Grade: B-

In Brief: This is really more of a singer/songwriter side project by a pair of guys mostly known for playing instruments and/or singing BGVs on other people’s records and in commercial jingles. That may seem like an oddly commercial pedigree for this under-the-radar independent release, but there are some genuinely smart lyrics and soothing melodies on this modest little album, if you’re willing to overlook a few of the cornier selections.

Continue reading

The New Pornographers – In the Morse Code of Brake Lights: Where we're going, we don't need Rhodes.

Artist: The New Pornographers
Album: In the Morse Code of Brake Lights
Year: 2019
Grade: B-

In Brief: This album brings back some of the sonic diversity that Whiteout Conditions lacked, especially with violinist Simi Stone upgraded to full membership. But song-for-song, it just doesn’t hit nearly as hard, and I think part of the problem is that despite all the singers in this band, we’re really only hearing the artistic voice of Carl Newman. No longer having Dan Bejar around kind of exposes his limitations as full-time band leader.

Continue reading

Jimmy Eat World – Surviving: Do you want the work more than the reward?

Artist: Jimmy Eat World
Album: Surviving
Year: 2019
Grade: B

In Brief: The sound of this album may be straightforward and reinvent zero wheels for Jimmy Eat World, but I can’t argue with the results. They’ve recommitted themselves to being loud, passionate, and unapologetically catchy, with a little room on the side for the occasional ballad or experimental track, and a handful of songs near the end that definitely go the extra mile in terms of delivering the rawk. It’s a strong album in a day and age where solid, straight-ahead rock records are getting harder and harder to come by.

Continue reading