In Brief: For a band that had such a fully realized synthpop sound from the get-go, it makes sense that change should come only in small increments. Chvrches once again keeps what works for them intact, and while there are a few small surprises in the song structures and instrumentation, the bigger surprise on Love Is Dead is how hard a lot of the lyrics hit. Without being preachy or overtly political, the trio clearly feels a responsibility to address the turbulent times we’re all living in. It’s refreshing and vital, and ultimately that’s what makes this record yet another home run for Chvrches.
In Brief: Spreading this collection of songs over three separately released EPs made it a little easier to digest this wealth of new material, but it also gives the impression that there was no real master plan for most of it to fit together cohesively. It’s always great to see Belle & Sebastian expanding their musical horizons, and there honestly isn’t a weak track in the bunch. But the collection lacks a central sense of identity, which makes me wonder whether the band is done with traditional “album releases” and would rather just put out music in a more “stream-of-consciousness” fashion in the future.
Artist: KT Tunstall
In Brief: It’s not as bold and inventive in the production and songwriting department as Tiger Suit, but KT wanted to make another pop album after the stark, downbeat Invisible Empire // Crescent Moon, and I’ve got to admit that this side of her is more my speed.
In Brief: It’s a shade lighter and more optimistic than The Bones of What You Believe, and its deep cuts aren’t quite as exploratory as the ones on that album, but it’s still a powerhouse synthpop album that wears its 80s influences loud and proud. Chvrches may need to shake up the formula next time around, but for now I’m glad they’re sticking to their guns.
In Brief: While the band’s bold leap into dance-pop territory is going to ruffle the feathers of longtime fans, that sound accounts for maybe a third of a record that’s stuffed with equal parts up-tempo surprises and warm, laid-back familiarity. It may feel like more of a mixtape than a cohesive album, but the diversity of Girls is one of its biggest strengths, making most of its hour-plus a sheer delight to get lost in.
Album: The Bones of What You Believe
In Brief: With a haunting undercurrent beneath their deceptively chirpy exterior, the debut from this Scottish synthpop trio makes a solid case for the validity of laptop-driven music.
In Brief: For an album so heavy on bright, catchy, nostalgic pop sounds, it sure does a great job of reminding me not to spend my whole life living in the past.