The Best of the Tenny Tweens, Part II: 61-80

Before we get on with the next 20 albums in my decade-end list, I thought it’d be interesting to break down all 100 by which year they came out.

9 of these albums came out in 2010.
17 of these albums came out in 2011.
10 of these albums came out in 2012.
18 of these albums came out in 2013.
7 of these albums came out in 2014.
9 of these albums came out in 2015.
6 of these albums came out in 2016.
9 of these albums came out in 2017.
12 of these albums came out in 2018.
4 of these albums came out in 2019.

(Yes, I know that the numbers above add up to 101. One of these albums was re-released, and I’m having a hard time choosing which version I like better. That’ll be addressed down below.)

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Obsessive Year-End List Fest 2018: Favorite Albums (and Honorable Mentions)

This is the list I look forward to writing the most each year, and yet that I seem to always agonize over until New Year’s Eve arrives and I have to click the “Publish” button and freeze these opinions in time. Coming up with a good, solid list of album recommendations at the end of every year seems to be a harder and harder task as time goes by, owing to a lot of artists seeming to lose interest in the album format, perhaps putting out excellent singles or EPs, but with the full-length LP becoming almost an afterthought. Even some of the top entries here were records I got to know at least half of as pre-release singles, or as a collection of EPs, before the full listening experience was made available, and thus I regard them more as strong compilations of songs from the latest phase of an artist’s career rather than as cohesive “albums” in the traditional sense. Still, a few holdouts are doing great things with the LP format, making a case for why it’s worth roughly 40 to 60 minutes of a listener’s time to take in a collection of songs in the order presented. I think that’s an art form that is still worth pursuing, even if the state of the music industry makes it an uphill battle to keep doing so.

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Obsessive Year-End List Fest 2018: Favorite Songs

First on my to-do list as the year comes to a close is to list the individual songs that inspired and entertained me the most in 2018. Some of these may have come out in 2017, or in a few extreme cases, as singles in 2016 that didn’t make it onto an actual album release until more recently. Either way, it was all new to me this year, or else I heard it in late 2017 and I had a belated reaction to it. Explanations and video/audio links are given for the Top 30 – for the rest, if you’re curious, just click the review links where provided to learn more.

As always, many of these songs (limit one per artist) are collected in my 2018 in a Nutshell playlist over on Spotify.

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Kimbra – Primal Heart: I’m a foreigner everywhere I roam.

Artist: Kimbra
Album: Primal Heart
Year: 2018
Grade: B-

In Brief: Kimbra’s third record doesn’t lay on the nostalgia and experimentation quite as thick as her last two, but it’s still a unique and worthwhile modern pop/R&B record, in its own low-key way.

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Obsessive Year-End List Fest 2014: Favorite Albums and Honorable Mentions

As always, I’m closing the year out with a summary of my favorite records from the year gone by. The only qualifying factors to make this list are that they must be full-length albums consisting of new material (I have a separate section for EPs and collections of previously released material), with a release date in 2014. Everything I really enjoyed this year that falls outside of those boundaries still gets a mention, just not a ranking.

It was really hard to pick a clear #1 this year. I love the top four albums on this list just about equally. Two are more “baroque” pop records that lean toward the electronic and experimental, and two are more in-your-face rock records. They’re the only “A grades” that I gave out this year. Which one is my favorite among them changes based on my mood, so I basically gave the #1 slot to the one I’ve enjoyed for the largest chunk of the year. I can’t imagine very many other people who would ever actually listen to all four of them, let alone like them all, but they all come with my highest recommendations for anyone into the types of music these individual artists are making.

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