In Brief: The stripped down approach and more starkly personal lyrics are a strong move… in theory. But this just plain doesn’t work for a powerhouse vocalist and an eccentrically creative songwriter of Florence’s caliber. The production mushes everything together whenever the music tries to pick up a little steam. The songs have an irritating habit of cutting off before they really feel like they should end. And whatever’s left of “The Machine” feels like it’s too timid to assert itself the way it used to.
In Brief: A smart but subdued folk/bluegrass record from an all-female trio that at times appears to be holding back the full power of their vocal harmonies and songwriting skills. This took a while for me to fully get into, but I can now say that I’m with I’m With Her.
In Brief: Though it took a few listens to get over the initial “every song sounds the same” impression I had of this album, there’s more diversity in the color, tone, and instrumental textures to be found on the group’s tenth album than I can remember there being on those old Innocence Mission albums I listened to well over a decade ago. Now that the modest little vignettes in a number of these hopeful, innocent little folk songs have begun to sink into my subconscious, they seem to offer sublime glimpses of eternity despite their almost ephemeral nature.
In Brief: The DMB’s comeback after a six-year gap between albums may not be the most attention-grabbing entry in their discography, but there’s a subtle richness to a lot of the instrumentation that makes it easier to tolerate the usual bits of hedonism and outright nonsense that tend to crop up in the typical Dave Matthews lyric. The band is showing its age a bit at this point, but they also seem to be quite comfortable with that age.
Artist: Owl City
In Brief: Somewhere within this hodgepodge of bland personal anecdotes and ill-advised bits of genre-hopping, are a small handful of truly imaginative synthpop songs that remind me of why I once risked the scorn of fellow critics to proclaim that I actually liked Owl City. While sifting through 15 songs (and 3 alternate versions!) to find those rare gems is generally not a delightful experience, this album might still be a step up from Mobile Orchestra.
In Brief: An unusual comeback for a long-dormant band that will require a fair amount of patience from listeners used to their old sound, but that delivers a pretty solid payoff once you make the adjustment. The new APC sound, which is part tranquil, baroque-inspired meditation, and part alt-rock fury, connects with me as a listener far more frequently than I would have expected it to. But it comes with a few frustrating rabbit trails as well.
In Brief: These three new songs hint at an exciting “next level” for a side project of former Eisley and MuteMath members Stacy DuPree-King and Darren King that is now apparently the main musical gig for each. I’m really hoping this exciting little morsel is just an appetizer for a full album to come, because I’d hate to think they left their other respective bands only to put out stuff like this on rare occasions.