In Brief: A kinder, gentler Muse than we last heard on Drones somehow manages to be ridiculous and over-the-top (as usual) without being enough of either of those things for it to really matter. Mining the nostalgia of our childhood and marrying that to modern sounds in off-the-wall ways is fun and all, but when this record tries to throw its hat into the ring of contemporary political discourse, it comes across as vague, outdated, and honestly a tad hypocritical. This is not a great Muse record, but it’s a catchy one, I guess.
In Brief: Not a strong showing for Thrice on their second album post-hiatus. It’s about a third “Hey look, we can still rock hard!”, about a third middle-of-the-road balladeering, and about a third experimental… and honestly, at this point, I’m only really here for the experimental stuff. I’m OK with Thrice making more of a “genre roulette” album in the same spirit as Beggars, rather than forcing themselves to always have a focused sound… but on Palms, the quality from song to song really suffers due to the lack of cohesion, without much of a theme to bridge it all together.
Here are my first impressions of the latest releases from Rosanne Cash, The Lone Bellow, Muse, Crowder, Fleet Foxes, Esperanza Spalding, Mumford & Sons, P.O.D., Chvrches, Kevin Max, and My Brightest Diamond.
In Brief: While it’s tricky to categorize genre-wise, this album manages to be equal parts energizing, soothing, and challenging, thanks to the dynamic of intricate percussion, stunning synths and keyboards, and occasionally noisy guitars that this duo has going for them. And digging into their cryptic lyrics reveals a bit of existential angst tempered with wisdom and patience. File this one under “How did I not know that this band existed for the last four albums?!”
In Brief: Ten songs after a seven-year absence might seem like a meager offering from most bands, but DeVotchKa ensures that their long-awaited return is an engrossing and intoxicating listen. The Latin rock influences may not be as pronounced this time around, but the strings, whistling, and other exotic bits of instrumentation all help to give this record an adventurous, otherworldly aura that isn’t easily forgotten. This Night Falls Forever can be a bit of an emotionally intense listen at first, but it’s definitely worth your time.
In Brief: While I had my misgivings about the dramatic lineup changes and the complete reinvention of their sound that came with it, The Last Bison has emerged from the other side of all that upheaval sounding incredibly confident in their new skin. The blend of keyboard-heavy rock and worldbeat sounds will probably puzzle a lot of fans who were used to the indie folk ensemble they last heard from, but the melodies and songwriting hold up incredibly well, despite any initial disappointment I may have felt over what was missing. I come back to this one easily as often as I did with VA four years ago.
Here are my first impressions of the latest releases from KT Tunstall, Hellogoodbye, The Gray Havens, Jim James, mewithoutYou, St. Vincent, Blitzen Trapper, Kimbra, Alter Bridge, Marc Martel, and Flint Eastwood.