The Best of the Tenny Tweens, Part IV: 21-40

Welcome to the penultimate section of the Top 100 list! We’re looking at nothing but A-grade material from here on out, folks. Before we dig into the next 20 albums I’ve chosen to highlight, let’s talk about what genres are represented on this list.

Admittedly the concept of “genre” is a tricky thing to define, and I’ve played fast and loose with it as I’ve reviewed albums over the years, sometimes not applying genre tags consistently to the same artist making more or less the same style from one album to the next. or they’ve undergone a radical change in their sound, and yet I still consider them part of the old genre in my mind because they’re still associated with that scene. It’s more of an art than a science, and often the records that excite me most will dabble in a wide array of genre influences, making an accurate descriptor for their sound as a whole rather difficult to nail down.

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The Best of the Tenny Tweens, Part III: 41-60

We’re at the midpoint of the list now… this is where the absolute best of the B-plus range starts to blend into the A-minus range. But first, some more fun facts (or at least, facts that a nerdy analytical guy like me considers fun), this time related to geography. Where in the world are all of these artists from?

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The Best of the Tenny Tweens, Part II: 61-80

Before we get on with the next 20 albums in my decade-end list, I thought it’d be interesting to break down all 100 by which year they came out.

9 of these albums came out in 2010.
17 of these albums came out in 2011.
10 of these albums came out in 2012.
18 of these albums came out in 2013.
7 of these albums came out in 2014.
9 of these albums came out in 2015.
6 of these albums came out in 2016.
9 of these albums came out in 2017.
12 of these albums came out in 2018.
4 of these albums came out in 2019.

(Yes, I know that the numbers above add up to 101. One of these albums was re-released, and I’m having a hard time choosing which version I like better. That’ll be addressed down below.)

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The Best of the Tenny Tweens, Part I: 81-100

And now, finally, it’s time to get started with the Proper Top 100 list! A lot of truly excellent music came out in the 2010s, to the point where narrowing it down to the most deserving albums required a mental refresher on well over 200 albums that I had enjoyed during the last ten years. It’s taken me longer than expected to get this list off to a proper start, due to a bit of a counting mishap when I was choosing my finalists, resulting in some painful last-minute cuts when I realized that I had put more than 20 albums in my lowest tier out of the 100. But that’s all settled now, and I’ve got my list broken into 5 parts, during which I’ll take a look back at 20 great albums per installment.

Everything in this first section of the list would score a B+ if I reviewed it today, so it’ll be a little ways up the list before we get to the truly amazing stuff. But even within this initial batch of 20 albums, there are tons of fond memories that I get from going back and revisiting the vast majority of the tracks on each of these – and in a few cases, new memories still being formed, as I discovered a few of these albums for the first time during a huge back catalogue binge I embarked on last year.

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The Best of the Tenny Tweens (Prologue: Wait, That's Not an Album!)

Alright, so it’s 2020, and it’s time to look back on the best music from the decade that is now behind us. Most of us will simply refer to that decade as “The Twenty Tens”, “The New Tens”, “The Teens”, etc. I’ve decided to label them “The Tenny Tweens”, mostly for the delight of how that silly phrase rolls off the tongue and because I wanted a unique nickname for it after coming up with “The Ought Nots” for the 2000s, but also because it felt very much like a decade of between-ness and transition, where I ended up in a different place both personally and in terms of my musical tastes than where I started.

Anyway, before I get to the proper list of what I’d consider my favorite album releases of the 2010s, I wanted to give honorable mentions to a hodgepodge of releases that don’t really fit into the conventional album format – generally because they’re too long, too short, and/or are mostly comprised of previously released material. Plenty of songs from these releases perked up my ears and lifted my spirits over the last several years, and it didn’t feel right glossing over ’em entirely simply because the artist didn’t choose a conventional LP as their method of releasing ’em.

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Obsessive Year-End List Fest 2019: Favorite Albums

I’m gonna keep it lean this year and just stick to a Top 10 Albums list instead of my usual 20. It just seems right, what with the smaller pool of albums that I had to choose from which got a strong enough positive reaction from me that I’d recommend them to others without hesitation. This year I only gave a single album an “A” grade, and the rest of these are in the B to B-plus range. You might wonder if that’s a side effect of having listened to so much music from earlier in the decade over the course of 2019 (in preparation for the Decade-End list I’ve got coming up early in the new year) that I didn’t really make a lot of time for new releases, but I compared my 2019 Music Journal to the one from 2018, and I actually listened to almost the same amount of new albums both years. And I definitely tried brand new artists this year who might not have seemed at first like they’d be up my alley when their music was described to me – a few of those even landed in my Top 10! So it wasn’t for a lack of opportunity, or attentiveness on my part.

Anyway, these are the 10 albums that impressed me most in 2019. I’m sure I’ll eventually find others to add to this list retroactively (feel free to leave suggestions in the comments), so I don’t consider this a done deal. But it’s the end of the year now, and I wanted to at least document what albums I enjoyed the most while they were brand new.

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Obsessive Year-End List Fest 2019: Dishonorable Mentions

While 2019 didn’t give me as many new albums to get truly excited about as a normal year would, the silver lining is that there also wasn’t much that I truly hated, either. I’d say most of the stuff I listened to this year ranged from “promising but flawed” to “moderately disappointing”, with only a few albums standing out for eliciting overly negative emotional reactions from me. Notably, these are all releases from artists I’ve enjoyed in some capacity in the past – I don’t make these lists to pick on easy targets or styles of music that would have been outside my wheelhouse to begin with. Here are the few 2019 releases that I would wholeheartedly recommend avoiding at all costs (and where applicable, embedded audio/video for the rare songs from these albums that I actually did enjoy).

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