In Brief: Kimbra’s third record doesn’t lay on the nostalgia and experimentation quite as thick as her last two, but it’s still a unique and worthwhile modern pop/R&B record, in its own low-key way.
Album: The Thread that Keeps Us
In Brief: What this album lacks in special guests, it makes up for with its slightly more aggressive and exploratory sound. Calexico still balances their dusky desert folk, indie rock, Latin, and jazz influences pretty well, with this album coming out a little stronger on the “rock” side of the spectrum, but not alarmingly so. It’s a welcome change after the sleepier vibe of their last few records.
Jon Foreman’s “25 in 24” tour provided not only a fascinating behind-the-scenes glimpse at how his unlikely feat of performing 25 shows in 24 hours came to be a few years ago, but also reminded fans of just how deeply his conviction to live each and every hour of life he’s been given to the fullest still runs. This was a breathtaking show, with unique arrangements of songs from Foreman’s solo albums and a few fan-selected Switchfoot tracks, revealing entire new worlds of possibility behind even songs I’d known and loved for close to two decades.
Album: Something to Tell You
In Brief: No shocking changes here – the Haim sisters stick largely to what worked on their first album. There might be a few more slick R&B grooves and guitar solos that sneak up on you, and that helps to keep this from feeling like a total retread of Days Are Gone. Still, that album is slightly better song-for-song than this one.
I’ve usually been on the outside looking in when a well-known musician dies, and fans are left grieving. A number of famous singers and songwriters, both of the critically-acclaimed and chart-busting varieties, have left us in recent years, and in a lot of cases it’s been someone who I respected, though not someone whose music I had a lot of personal history with. That all changed when I learned of Chester Bennington‘s suicide just a few days ago.
In Brief: Incubus returns to making actual rock music, which would have been a nice change following the lifeless If Not Now, When?, but subpar songwriting and bone-headed repetition kill off most of the creative spark this band once displayed. There are a few bits of experimentation here and there, but don’t hold your breath for anything fascinating in the exploratory department.
Artist: Linkin Park
Album: One More Light
In Brief: The problem with Linkin Park’s seventh album isn’t that it’s mellow and poppy. The problem is that it’s stubbornly, maddeningly generic, which is not something I could say about even the absolute worst songs on their previous albums.