In Brief: Alt-J has gone from being a groove-laden, psychedelic indie band occasionally interrupted by dull ballads, to a band largely focused on ballads, some of them lushly orchestrated and some of them rather dull, occasionally interrupted by jarring rockers. It’s not a good look.
In Brief: With relentless, hypnotic rhythms, hypnotic guitar and synth melodies that sear into your brain, and politically-charged lyrics, Everything Everything has, well, just about everything I’ve been hoping to get out of an indie rock record in the year 2017.
Artist: Coldplay Album: Kaleidoscope EP Year: 2017 Grade: B
In Brief: While I feel like this EP’s release was a bit overhyped, and I’m not inclined to trust rumors of the band having recorded their final album, there are some genuinely exciting new directions taken here that I’d love to see the band explore a little further… and also some embarrassing attempts at pop culture relevance that I wish they’d bury once and for all.
In Brief: Ed takes his music in a few new directions that I appreciate, and occasionally he shows some real wit in the songwriting department. But so much of this album feels calculated to clone the success of past singles and to pander to as wide an audience as possible. It drags down an otherwise enjoyable experience.
Artist: Elbow Album: Little Fictions Year: 2017 Grade: B+
In Brief: This album goes down smoother than The Take Off and Landing of Everything, though it may not have as much dynamic range, or as many climactic or startling moments. Some recent personal and professional changes in the band lineup lead to a sunnier and surprisingly more groove-based Elbow record, which I’d say is more accessible than their last few without radically altering their sound.
Artist: Band of Skulls Album: By Default Year: 2016 Grade: B-
In Brief: This is easily the band’s leanest & meanest record, in terms of just jamming out a bunch of fun songs and not overthinking it. But the garage-y bluesiness and stylistic variance heard on past albums isn’t as prominent here. So the surface-level enjoyment I get just from listening to them play is often undercut by a nagging feeling that there’s no real substance here.
Artist: Mumford & Sons Album: Johannesburg EP Year: 2016 Grade: B+
In Brief: Surprisingly strong, given the unlikely collaboration between an English “folk” band and three stylistically divergent African artists. I still think Mumford & Sons are poseurs of a sort, wandering the world in search of a sound they can actually master, but this EP at least proves that they’re excellent collaborators.