All Heaven Is Ringing: My Top 20 David Crowder Band Songs

You’ve probably observed by this point that most of the bands I’ve covered in this monthly Top 20 series have some relationship, whether direct or tangential, to the world of Contemporary Christian Music. While my musical tastes are much more diverse today, I’m open to hearing a variety of viewpoints beyond my own, and most of the artists I currently listen to who are Christians tend to operate largely outside the confines of the CCM industry, I can’t hide the fact that Christian rock is in my DNA, and a lot of my longest-running favorite bands came from that world. Most of these bands were known for at least trying to challenge the status quo in ways that sometimes made their religious audiences uncomfortable, and that I applauded them for. But the David Crowder Band might be the lone exception on this list, since they’ve always belonged to the niche-within-a-niche known as “praise and worship”, and I don’t think anyone’s ever felt the need to put a qualifier on it when describing them as “Christian rock”. What makes the David Crowder Band unique in my personal pantheon of favorite bands is that they managed to beat the odds and win me over despite being a worship band at a time when I was really starting to get cynical about the whole idea of worship bands in general.

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Memories as Heavy as a Stone: My Top 20 Paper Route Songs

Some bands are really good at breaking your heart, or at least at letting you know what it’s like to have your heart utterly and completely broken. Some bands are really good at helping you pick up the pieces and put that heart back together. Paper Route was one of the rare bands that I felt was excellent at both sides of that equation. And now they’ve gone and broken my heart by disappearing on an “indefinite hiatus”, just when I felt they were at the top of their game and poised to break out to a larger audience. I didn’t think at the beginning of 2019 when I started picking all-time favorite artists of mine who were currently inactive to feature in these monthly retrospective “Top 20” columns, that Paper Route would end up being one of them. We may have an unexplained absence to mourn, but at least we’ve got a phenomenal Absence to look back on.

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Each Word Ringing True, As If Written for You: My Top 20 Out of the Grey Songs

Do you remember the first album you ever deliberately sat down and listened to all the way through? I certainly do. It was Out of the Grey‘s self-titled 1991 debut. And it turned out to be a record that imprinted itself upon me so deeply, it would come to shape my perception of what “the perfect pop album” should sound like.

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This Is My Call, to Sing the Melodies of You: My Top 20 Sixpence None the Richer Songs (and Top 5 Covers)

“There’s more to Sixpence than Kisses and Covers.”

I’m pretty sure I used that rather defensive statement as a review title at some point. Can you blame me? It’s one hell of a dilemma that a fan of a band faces, when they have some really great material in their back catalogue, some of it thrillingly dark and moody, and some of it surprisingly fragile and reverent, and suddenly they put a twee love song on their newest album and it becomes a sleeper hit a few years later. And you really, really love that song, and are happy that people have finally heard of this band that felt like one of your best kept secrets up until that point… but then comes the inevitable pressure to follow it up. And the record label doesn’t quite know what to do with the rest of the songs on their record. And the band starts releasing cover songs in an attempt to stay relevant, and then things just get super weird. That’s the story of Sixpence None the Richer in a nutshell. And it’s a sadder and more tragic one than you’d likely expect from a band who showed that much potential.

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They Can’t Define Us Anymore: My Top 20 Gungor Songs

If you’ve never heard of Gungor at all, and your first question upon hearing a song of theirs is, “Is this a Christian band?”, then my answer is: Yes. No. Kinda.

Normally in this monthly column, I’m going to be writing about bands that are defunct, or at the very least have stopped recording and touring for the foreseeable future. Gungor is a curious exception, because there are literally days to go in the band’s farewell tour. A week or so from when I publish this, Gungor as a distinct musical entity will be considered a thing of the past. Its two members, Michael and Lisa Gungor, certainly have plans to continue making music, just not under that name. I’m intrigued to see what these two might cook up with all past constraints and preconceived notions completely gone. I feel like they’ve already done a bang-up job of challenging our assumptions, not just about the kind of music they make but about the parameters that define the Christian faith ourselves, over the years. It seems like now’s as good a time as any to honor the end of an era, and take a (shorter than my usual) walk down memory lane to revisit my favorite songs that the duo have put out in the eight years I’ve considered myself a fan.

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This Is the Correlation of Salvation and Love: My Top 20 Anberlin Songs

There are favorite bands that I’ve known all along I felt a special connection with. Then there are bands that become favorites much later on, either because I didn’t know they existed until several albums deep into their discography, or I just didn’t think at first that they were for me. Anberlin is one of those weird cases where I was into the band from pretty much the beginning, but didn’t realize how deep of a connection I felt to their music until almost the end. I also didn’t realize how much it meant to certain other folks in my life until the clock was running out on our chances to actually enjoy the band’s music as a communal experience.

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Music in Every Sound: My Top 20 Iona Songs

“Ah, so that’s where murlough23 got his screen name from! I just assumed he was really into wine or something.”

Out of all the bands I’ve ever been truly fanatical about, Iona might have been the one that was the toughest sell for friends who I hoped I could convert to fellow fans. For starters, their music generally got tagged as either “Celtic rock” or even “new age”. That generally made folks think more of Enya, and I don’t know, the Titanic soundtrack or something, rather than the more complex and often long-winded style of progressive rock that they actually made. Here in the U.S., they were marketed as a Christian rock band, which I suppose is technically correct since a lot of their music was inspired by the history of Celtic Christianity, and a the band’s members were mostly Christians, but stylistically, they were a pretty lousy fit for Christian radio in any era. And from the perspective of potential American listeners, they were an import band, with their primary audience in the U.K. and rather limited exposure in the States, carried by a Christian record label that really didn’t know how to market them, and with their albums generally having a limited print run in an age when you couldn’t simply download an album from anywhere in the world with the simple click of a mouse.

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