Florence + The Machine – High as Hope: THIS IS NOT AN ENDING.

Artist: Florence + The Machine
Album: High as Hope
Year: 2018
Grade: C+

In Brief: The stripped down approach and more starkly personal lyrics are a strong move… in theory. But this just plain doesn’t work for a powerhouse vocalist and an eccentrically creative songwriter of Florence’s caliber. The production mushes everything together whenever the music tries to pick up a little steam. The songs have an irritating habit of cutting off before they really feel like they should end. And whatever’s left of “The Machine” feels like it’s too timid to assert itself the way it used to.

Continue reading

Advertisements

The Innocence Mission – Sun on the Square: Some lost things I will hope to find

Artist: The Innocence Mission
Album: Sun on the Square
Year: 2018
Grade: B

In Brief: Though it took a few listens to get over the initial “every song sounds the same” impression I had of this album, there’s more diversity in the color, tone, and instrumental textures to be found on the group’s tenth album than I can remember there being on those old Innocence Mission albums I listened to well over a decade ago. Now that the modest little vignettes in a number of these hopeful, innocent little folk songs have begun to sink into my subconscious, they seem to offer sublime glimpses of eternity despite their almost ephemeral nature.

Continue reading

Sucré – In Pieces: In which a side project gets shoved suspiciously into the spotlight

Artist: Sucré
Album: In Pieces EP
Year: 2018
Grade: A-

In Brief: These three new songs hint at an exciting “next level” for a side project of former Eisley and MuteMath members Stacy DuPree-King and Darren King that is now apparently the main musical gig for each. I’m really hoping this exciting little morsel is just an appetizer for a full album to come, because I’d hate to think they left their other respective bands only to put out stuff like this on rare occasions.

Continue reading

Jon Foreman live @ Azusa Pacific University: Terminal Bliss

Jon Foreman’s “25 in 24” tour provided not only a fascinating behind-the-scenes glimpse at how his unlikely feat of performing 25 shows in 24 hours came to be a few years ago, but also reminded fans of just how deeply his conviction to live each and every hour of life he’s been given to the fullest still runs. This was a breathtaking show, with unique arrangements of songs from Foreman’s solo albums and a few fan-selected Switchfoot tracks, revealing entire new worlds of possibility behind even songs I’d known and loved for close to two decades.

Continue reading

Evanescence – Synthesis: I gave up on you, but I never forgot you.

Artist: Evanescence
Album: Synthesis
Year: 2017
Grade: B-

In Brief: These classical/electronic reworkings of old Evanescence songs work better than expected, for the most part. At times the song selection is lackluster, or else the arrangements aren’t quite ambitious enough to set them apart from the originals in memorable ways. But it was clearly a labor of love for Amy Lee, and I get the sense that perhaps for the first time, we’re hearing some of these songs as she had once envisioned them in her mind.

Continue reading

Björk – Utopia: Did I just fall in love with love?

Artist: Björk
Album: Utopia
Year: 2017
Grade: C+

In Brief: Björk’s longest album to date is one of her happiest and most peaceful. It’s also one of her most baffling and exhausting. Longtime fans will find echoes of some of her classic works here, and will also probably appreciate the more ambient/avant-garde new direction as well. But song-for-song, this may be her most difficult album to appreciate as a whole since Medúlla.

Continue reading

Alt-J – Relaxer: Don’t do it.

2017_AltJ_RelaxerArtist: Alt-J
Album: Relaxer
Year: 2017
Grade: C

In Brief: Alt-J has gone from being a groove-laden, psychedelic indie band occasionally interrupted by dull ballads, to a band largely focused on ballads, some of them lushly orchestrated and some of them rather dull, occasionally interrupted by jarring rockers. It’s not a good look.

Continue reading