In Brief: These classical/electronic reworkings of old Evanescence songs work better than expected, for the most part. At times the song selection is lackluster, or else the arrangements aren’t quite ambitious enough to set them apart from the originals in memorable ways. But it was clearly a labor of love for Amy Lee, and I get the sense that perhaps for the first time, we’re hearing some of these songs as she had once envisioned them in her mind.
In Brief: Björk’s longest album to date is one of her happiest and most peaceful. It’s also one of her most baffling and exhausting. Longtime fans will find echoes of some of her classic works here, and will also probably appreciate the more ambient/avant-garde new direction as well. But song-for-song, this may be her most difficult album to appreciate as a whole since Medúlla.
In Brief: Alt-J has gone from being a groove-laden, psychedelic indie band occasionally interrupted by dull ballads, to a band largely focused on ballads, some of them lushly orchestrated and some of them rather dull, occasionally interrupted by jarring rockers. It’s not a good look.
In Brief: Sam Beam is a skillful songwriter, his voice is always soothing, and his lyrics are always intriguing. But his decision to revert back to the simpler style of his earlier efforts makes for a rather underwhelming album. I like both the layered, experimental side of Iron & Wine and the hushed, laid-back, folksy side, and it seems like a step backwards to cast off one side for the sake of the other.
Artist: Sleeping at Last
Album: Atlas: Intelligence EP
In Brief: Three songs about the body, heart, and mind, in Sleeping at Last’s expected baroque pop style. The electronic pulses and plethora of subtle sounds working in tandem on “Mind” are an excellent touch, but aside from that, there’s not much new here.
Album: I’m Only Dreaming
In Brief: While Stacy and Chauntelle’s departure is a pretty serious drawback here, Sherri does an admirable job of keeping the Eisley sound her fans know and love intact, while also experimenting with new sounds here and there. This works better than expected, aside from a few maddeningly generic songs that probably would have been left out had her sisters been around to contribute their own material.
Artist: Regina Spektor
Album: Remember Us to Life
In Brief: Song-for-song, this is a more consistently well-written album than her last one, with more of a unified feel from track to track, but leaving room for a few fun surprises as well. Regina hasn’t totally reinvented her sometimes-cutesy, sometimes-creepy piano pop style, but she’s certainly honed her craft a bit since we last heard from her.