Dave Matthews Band – Come Tomorrow: Let the children lead the way. (And let the dads make the dad rock.)

Artist: Dave Matthews Band
Album: Come Tomorrow
Year: 2018
Grade: B-

In Brief: The DMB’s comeback after a six-year gap between albums may not be the most attention-grabbing entry in their discography, but there’s a subtle richness to a lot of the instrumentation that makes it easier to tolerate the usual bits of hedonism and outright nonsense that tend to crop up in the typical Dave Matthews lyric. The band is showing its age a bit at this point, but they also seem to be quite comfortable with that age.

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What Am I Listening To? – June 2018

Wow, June was a crazy month for new music. Probably because there were five Fridays. A bunch of stuff I was looking forward to dropped on June 1, and then again just yesterday on June 29. Because I prefer to have listened to something a bare minimum of twice before mentioning it here, and just for the sake of my overall sanity, I’ve decided to punt a few of those June 29 releases to July, so that I can focus more on the few that I did manage to get to thus far.

Here are my first impressions of the latest releases from Sucré, Owl City, Neko Case, Father John Misty, The Flaming Lips, Dave Matthews Band, Arthur Buck, Kevin Max, Mike Shinoda, Florence + The Machine, Jim James, and Katie Herzig.

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Dave Matthews Band – Away From the World: Don’t waste time trying to be something you’re not.

2012_DaveMatthewsBand_AwayFromtheWorld

Artist: Dave Matthews Band
Album: Away From the World
Year: 2012
Grade: B

In Brief: This album might not grab your attention right away, but with classic DMB jams and unexpected new musical directions, it’s one of their most artistically respectable efforts.

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Dave Matthews Band – Under the Table and Dreaming: What would you say if I was almost 20 years late to the party?

1994_DaveMatthewsBand_UndertheTableandDreaming

Artist: Dave Matthews Band
Album: Under the Table and Dreaming
Year: 1994
Grade: A

In Brief: This was the DMB’s first studio album and yet everyone was already at the top of their game. Crash remains my favorite, but this one is darn close.

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The Best of the Ought Nots, Part IV: 21-40

We’re approaching the top of the list now. Everything here is solid “A grade” material that got nothing but a glowing recommendation when I reviewed it… and most of it has only improved with age.

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The Best of 2009: Now Departing for Stockholm, Hawaii, New Orleans, and Points Inland

The end of 2009 is upon us, friends. It was a year that many of us didn’t look forward to, already knowing to expect financial woes and potential job losses (if not already realized ones) going into it – a year where the unexpected road ahead seemed to promise more hardship than exciting new possibilities to explore. but a poor year for the world was a rich year for music – either because artists channelled their angst into some of the best songs they’d ever written, or because more and more of them were jumping ship on the big labels and finding freedom to go where their imaginations would take them even if the audiences weren’t as big as a result. Some found artful ways to downsize while others played it as over-the-top as they could in defiance of expectations. In the end, it was a more exciting year than I could have anticipated, one that has left me with a lot to look forward to.

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Divad's Soundtrack #83: November-December 2009

Here’s the best of what I was listening to as the previous decade closed out. While I definitely ended the 2000s in a much better place than I was at the beginning of that decade, there had definitely been some hard times toward the end of 2009, and we were looking forward to a year-end trip to visit family in Hawaii. I can tell looking back at a lot of these songs that I was really longing for some rest and recreation with a beautiful beach as the backdrop.

In with the New:
fun.

Out with the Old:
Rob Thomas

Listen on Spotify:

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