In Brief: With the name change comes an even stronger commitment to jazzy complexity, Latin rhythms, elaborate torch songs, and apparently a newfound love of electronic keyboards. It’s not my favorite variant on the Kindo sound, but it’s certainly a unique way for them to go against the flow in the current rock music climate, and they’re clearly still at the top of their game performance-wise.
Here are my first impressions of the latest releases from St. Paul & The Broken Bones, Katie Herzig, Sleeping at Last, The Reign of Kindo, Band of Skulls, and Jars of Clay.
For the third and final entry in this long-winded look back at the music that mattered to me this year, I present the cream of the crop – the albums that provided me with the most satisfying listening experience from beginning to end, which is a much more difficult feat than simply hooking me with a catchy song or two, and arguably a feat many artists have given up on in the age of digital music that can just as easily be released for bite-sized consumption on a sporadic schedule, rather than thought through as a fully-formed artistic statement. These albums don’t have that much in common with one another, but taken all together, they represent the weird snowball of influences that make up my musical tastes these days, ranging from old favorites who have resurfaced after lying dormant for many years, to buzz-gathering indie artists who have begun to break out of the blogosphere and into some version of “the mainstream”, to those who have given up entirely on mainstream fame and are content to Kickstarter and Indiegogo their way into fans’ hearts with no traditional support structure whatsoever. It’s all a very weird mix, but it’s all quite delicious.
It’s time to kick off my yearly obsession with counting things that it really makes no sense to put in order. More detailed write-ups on the full lengths albums that captivated me this year are to follow, but for now, here’s a haphazard list I’ve compiled of 100 songs that moved me this year… some physically, some emotionally, some both.
For those who’d like to follow along and listen to some of my picks, I’ve compiled a playlist (limited to one song per artist, because it’s crazy long enough already), that hits a lot of the year’s highlights, in roughly the order I came to discover them.
In Brief: One of the year’s best albums for sure. If you thought jazzy rock music was only good as chilled-out background noise, then you haven’t heard The Reign of Kindo.
Is it just me, or did the year 2010 did just fly right on by? Usually that’s the sign of a good year, one so packed with exciting adventures that you just can’t seem to capture the time and get it to stand still. But it’s actually been a difficult one for me, a fact which may be reflected in a lot of my personal playlists from the last twelve months. Good music seemed to come out of the nooks and crannies as it does most years, but for a while, it seemed like a lot of the greatest stuff was eluding me. But that which seemed depressing at first became a place of solace during a hard year, and that which was happy became an inspiration to live a life worthy of the soundtrack. So my Top 10 list this year, while it follows my usual habit of emphasizing what I enjoyed listening to over what the critics or the general public or anyone else thought, seems to carry a little bit of extra personal weight, as I found so many moments of joy in absorbing it and in sharing it with other people. Music as a facilitator for community has always been one of my passions, and it’s because of this that I continue to expend so much energy writing about it for the handful of people who will actually read any portion of my long-winded articles.
In Brief: They were already amazing, then they got even better. TROK has conjured up what I consider to be the best album of 2010 thus far.