A combination of new releases that dropped in February, and entries from some of my colleagues’ 2019 best-of lists that I wanted to check out, has expanded my new music column to a whopping sixteen albums this month. Whew! It might be a few months out before I actually get around to fully reviewing any of this stuff, but for now…
Here are my first impressions of the latest from (deep breath…) Tall Tall Trees, Drive-By Truckers, Bruce Hornsby, black midi, Cage the Elephant, Caroline Polachek, Weyes Blood, The Lone Bellow, Green Day, Holden Days, Tennis, Tame Impala, Tyson Motsenbocker, John Reuben, Derek Webb, and The Secret Sisters.
Here are my first impressions of the latest releases from Rosanne Cash, The Lone Bellow, Muse, Crowder, Fleet Foxes, Esperanza Spalding, Mumford & Sons, P.O.D., Chvrches, Kevin Max, and My Brightest Diamond.
It’s that time of year again where I run through the list of songs that inspired me, entertained me, or just plain got stuck in my head for amusing reasons, more than any other songs in the last 12 months. Most of these were released in 2017. Some came out in 2016 and I either didn’t hear them until this year or didn’t come to fully appreciate them in time for last year’s list. I’ve given brief explanations and YouTube links for the Top 30. For the rest… just check the reviews where they’re linked, if you’re curious.
And as always, many of these songs (limit one per artist) are collected in my 2017 in a Nutshell playlist over on Spotify.
Artist: The Lone Bellow Album: Then Came the Morning Year: 2015 Grade: B-
In Brief: This is a typical sophomore album, in that it finds The Lone Bellow trying a few new things, diversifying the songwriting a bit, and ultimately becoming a better band for it, but the result is a scattershot album where you’re almost better off jumping in anywhere instead of starting from the beginning.
The start of a new year means a lot of catching up on stuff folks recommended to me last year that I didn’t quite get around to in time. But there are actually a couple brand new releases in here somewhere. January turned out to be a better month for new music than I expected!
Here are my first impressions of the latest releases from Andrew Peterson, Brooke Fraser, Martel, Matisyahu, Young Oceans, Joe Henry, Foo Fighters, Belle & Sebastian, Sleater-Kinney, Sia, and The Lone Bellow.
For the third and final entry in this long-winded look back at the music that mattered to me this year, I present the cream of the crop – the albums that provided me with the most satisfying listening experience from beginning to end, which is a much more difficult feat than simply hooking me with a catchy song or two, and arguably a feat many artists have given up on in the age of digital music that can just as easily be released for bite-sized consumption on a sporadic schedule, rather than thought through as a fully-formed artistic statement. These albums don’t have that much in common with one another, but taken all together, they represent the weird snowball of influences that make up my musical tastes these days, ranging from old favorites who have resurfaced after lying dormant for many years, to buzz-gathering indie artists who have begun to break out of the blogosphere and into some version of “the mainstream”, to those who have given up entirely on mainstream fame and are content to Kickstarter and Indiegogo their way into fans’ hearts with no traditional support structure whatsoever. It’s all a very weird mix, but it’s all quite delicious.
It’s time to kick off my yearly obsession with counting things that it really makes no sense to put in order. More detailed write-ups on the full lengths albums that captivated me this year are to follow, but for now, here’s a haphazard list I’ve compiled of 100 songs that moved me this year… some physically, some emotionally, some both.