We’ve arrived at the final round, folks. The true heavy-hitters. The absolute classics that I’m pretty sure I’ll keep going back to over and over when they’re ten years, twenty years – heck, maybe even fifty years old if I’m fortunate enough to still be around then!
The realization that I had a pretty interesting cross-section of artists ranging from household names to the downright obscure on this list piqued my curiosity about whether there was some reasonable way to measure exactly how popular each of them were. It’s honestly not something I’ve ever paid super close attention to – I can usually get a sense of when someone whose music I happen to like has achieved A-list celebrity status around the world, because I’ll hear their music pretty much everywhere when I’m out and about in public, and their concerts will usually be prohibitively expensive. On the other end of the scale, when an artist is so-small time that only a small cluster of people seem to know about them, merely acquiring their music or finding out more about them for the sake of writing a review can be challenging. Word of mouth, and recommendations from other artists I enjoy, are often my primary means of getting into an artist, so for pretty much everyone between those two extremes, I often don’t know how many like-minded fans there are, or what demographic is most into them, until I catch a live show and start people-watching.
It’s that time of year again, when I arbitrarily sort through the list of songs I’ve been obsessed with over the past 12 months, and try to whittle it down to a semi-reasonable list of 100 favorites. A lot of these were released in 2013, and a few even in 2012, but as usual, I was late to the party.
Music videos and some live performances are embedded for most of the Top 30. I didn’t want to go too far beyond that, for fear of crashing your browser. I’ve also created a Spotify playlist that explores a number of these favorites, more or less chronologically in the order that I discovered them.
For the third and final entry in this long-winded look back at the music that mattered to me this year, I present the cream of the crop – the albums that provided me with the most satisfying listening experience from beginning to end, which is a much more difficult feat than simply hooking me with a catchy song or two, and arguably a feat many artists have given up on in the age of digital music that can just as easily be released for bite-sized consumption on a sporadic schedule, rather than thought through as a fully-formed artistic statement. These albums don’t have that much in common with one another, but taken all together, they represent the weird snowball of influences that make up my musical tastes these days, ranging from old favorites who have resurfaced after lying dormant for many years, to buzz-gathering indie artists who have begun to break out of the blogosphere and into some version of “the mainstream”, to those who have given up entirely on mainstream fame and are content to Kickstarter and Indiegogo their way into fans’ hearts with no traditional support structure whatsoever. It’s all a very weird mix, but it’s all quite delicious.
It’s time to kick off my yearly obsession with counting things that it really makes no sense to put in order. More detailed write-ups on the full lengths albums that captivated me this year are to follow, but for now, here’s a haphazard list I’ve compiled of 100 songs that moved me this year… some physically, some emotionally, some both.
Artist: The Hawk in Paris Album: Freaks Year: 2013 Grade: A-
In Brief: The first complete album from this retro-synthpop side project by Jars of Clay frontman Dan Haseltine comes right on the heels of Jars’ Inland, and thanks to its six new songs making good on the promise offered by the six from the His + Hers EP, I’m having a difficult time figuring out which is the better album.