It’s inevitable most years that some of the best music I listen to either isn’t going to fit strictly into the album format and thus won’t be eligible for my Favorite Albums list, or else it’ll have been released the previous year, and thus get added to that year’s list retroactively. In 2019 in particular, there were enough cases of this that I’m basically willing to consider this rundown of EPs, live albums, re-releases, and/or seasonal albums as my “Honorable Mentions” list for the year. 2018 also proved to be the gift that kept on giving, as I got turned on to several strong releases that I hadn’t known about yet when I wrote up last year’s countdown.Continue reading
I’m doing this column a few days early this time around, so I can talk about a few holiday releases I’ve been taking in before Christmas actually arrives for a change! There are also a few non-seasonal stragglers I’ve managed to squeeze in this month, despite how busy I’ve been re-listening to the best of the year and the decade.
Here are my first impressions of the latest from Jax Anderson, Joe Henry, and The Flaming Lips, plus seasonal music from Jars of Clay & SHEL, Future of Forestry, Andrew Peterson, Plumb, Sara Groves, and Nichole Nordeman.Continue reading
Here are my first impressions of the latest from Sigrid, Jesca Hoop, Jason Wade, Tom Hummer, Ed Sheeran, Chris Rice, Charlie Peacock, The Flaming Lips, Of Monsters and Men, Meg & Dia, and Spoon.Continue reading
Wow, June was a crazy month for new music. Probably because there were five Fridays. A bunch of stuff I was looking forward to dropped on June 1, and then again just yesterday on June 29. Because I prefer to have listened to something a bare minimum of twice before mentioning it here, and just for the sake of my overall sanity, I’ve decided to punt a few of those June 29 releases to July, so that I can focus more on the few that I did manage to get to thus far.
Here are my first impressions of the latest releases from Sucré, Owl City, Neko Case, Father John Misty, The Flaming Lips, Dave Matthews Band, Arthur Buck, Kevin Max, Mike Shinoda, Florence + The Machine, Jim James, and Katie Herzig.
It’s that time of year again where I run through the list of songs that inspired me, entertained me, or just plain got stuck in my head for amusing reasons, more than any other songs in the last 12 months. Most of these were released in 2017. Some came out in 2016 and I either didn’t hear them until this year or didn’t come to fully appreciate them in time for last year’s list. I’ve given brief explanations and YouTube links for the Top 30. For the rest… just check the reviews where they’re linked, if you’re curious.
And as always, many of these songs (limit one per artist) are collected in my 2017 in a Nutshell playlist over on Spotify.
Artist: The Flaming Lips
Album: Oczy Mlody
In Brief: This album is to The Flaming Lips what Hail to the Thief was to Radiohead. It’s a summation of past sounds, perhaps a bit of a breather after two of their most experimental and alienating albums, but a record whose overall flow and concept suffers due to the attempt to paste together sounds and styles that have worked for them in the past.Continue reading
Here are my first impressions of the latest releases from Phantogram, Lisa Hannigan, Tom Hummer, Tim Be Told, The Flaming Lips, Colony House, and the Hidden Figures soundtrack.
Artist: The Flaming Lips
Album: The Terror
In Brief: The Terror has some intriguing gems buried deep in its nightmarish soundscapes. Just approach with caution if you’re not in an emotionally stable place.Continue reading
We’ve reached the midpoint of my personal hit list now – at some point in the 40’s is where we cross the threshold from the material bubbling just under the “5 star” barrier, to the material that I feel fully earned the highest marks in each glowing review that I wrote. The higher up we go, the more unbridled my joy in going back and revisiting the great music that the 2000’s had to offer.Continue reading
The end of 2009 is upon us, friends. It was a year that many of us didn’t look forward to, already knowing to expect financial woes and potential job losses (if not already realized ones) going into it – a year where the unexpected road ahead seemed to promise more hardship than exciting new possibilities to explore. but a poor year for the world was a rich year for music – either because artists channelled their angst into some of the best songs they’d ever written, or because more and more of them were jumping ship on the big labels and finding freedom to go where their imaginations would take them even if the audiences weren’t as big as a result. Some found artful ways to downsize while others played it as over-the-top as they could in defiance of expectations. In the end, it was a more exciting year than I could have anticipated, one that has left me with a lot to look forward to.Continue reading