What Am I Listening To? – May 2020

Here are my first impressions of the latest from Relient K, Sylvan Esso, Chatham County Line, Watkins Family Hour, Joseph Arthur, Sleeping at Last, Hayley Williams, Thao & The Get Down Stay Down, and The 1975.

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What Am I Listening To? – March 2020

To say that this month didn’t go as planned would be a massive understatement. At the beginning of the month, I was gearing up for a relaxing vacation in Hawaii, which is where I figured I’d be when writing this column. Then the Coronavirus happened – or rather, America finally got serious about defending itself against it, and most of us went into a prolonged period of self-isolation. The upside is that I’ve had even more time than usual to binge on music while working from home (and I’m fortunate to have a job that lends itself well to telecommuting). The downside is that, try as I might to be objective, some otherwise good music released during this season is going to be forever entwined with the memories of being stuck at home and praying to God that none of my family members or loved ones get sick. Maybe I’ll be able to turn that around and come out remembering some of this as the music that helped keep me company and lift my spirits during an intense and difficult part of my life? Only time will tell.

Here are my first impressions of the latest from Phantogram, SHEL, Alex Wong, Hayley Williams, Leigh Nash, Cindy Morgan, Holden Days, Collective Soul, Peter Bjorn and John, Mandy Moore, Matt Wertz, Jason Wade, Sufjan Stevens & Lowell Brams, Pearl Jam, Elbow, and Sleeping at Last.

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The Best of the Tenny Tweens (Prologue: Wait, That’s Not an Album!)

Alright, so it’s 2020, and it’s time to look back on the best music from the decade that is now behind us. Most of us will simply refer to that decade as “The Twenty Tens”, “The New Tens”, “The Teens”, etc. I’ve decided to label them “The Tenny Tweens”, mostly for the delight of how that silly phrase rolls off the tongue and because I wanted a unique nickname for it after coming up with “The Ought Nots” for the 2000s, but also because it felt very much like a decade of between-ness and transition, where I ended up in a different place both personally and in terms of my musical tastes than where I started.

Anyway, before I get to the proper list of what I’d consider my favorite album releases of the 2010s, I wanted to give honorable mentions to a hodgepodge of releases that don’t really fit into the conventional album format – generally because they’re too long, too short, and/or are mostly comprised of previously released material. Plenty of songs from these releases perked up my ears and lifted my spirits over the last several years, and it didn’t feel right glossing over ’em entirely simply because the artist didn’t choose a conventional LP as their method of releasing ’em.

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Obsessive Year-End List Fest 2019: Favorite Albums

I’m gonna keep it lean this year and just stick to a Top 10 Albums list instead of my usual 20. It just seems right, what with the smaller pool of albums that I had to choose from which got a strong enough positive reaction from me that I’d recommend them to others without hesitation. This year I only gave a single album an “A” grade, and the rest of these are in the B to B-plus range. You might wonder if that’s a side effect of having listened to so much music from earlier in the decade over the course of 2019 (in preparation for the Decade-End list I’ve got coming up early in the new year) that I didn’t really make a lot of time for new releases, but I compared my 2019 Music Journal to the one from 2018, and I actually listened to almost the same amount of new albums both years. And I definitely tried brand new artists this year who might not have seemed at first like they’d be up my alley when their music was described to me – a few of those even landed in my Top 10! So it wasn’t for a lack of opportunity, or attentiveness on my part.

Anyway, these are the 10 albums that impressed me most in 2019. I’m sure I’ll eventually find others to add to this list retroactively (feel free to leave suggestions in the comments), so I don’t consider this a done deal. But it’s the end of the year now, and I wanted to at least document what albums I enjoyed the most while they were brand new.

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Sleeping at Last – Atlas: Enneagram – I’m just trying to see myself through someone else’s eyes.

Artist: Sleeping at Last
Album: Atlas: Enneagram
Year: 2019
Grade: B

In Brief: While there isn’t as much interactivity between these songs as I had imagined there might be, the musical diversity and attention to detail in exploring each personality type makes it a worthwhile series of character studies. And with nine tracks exploring a consistent theme, it’s the closest thing to a traditional album that SAL has put out since the Space series during Year One.

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Obsessive Year-End List Fest 2018: Favorite Songs

First on my to-do list as the year comes to a close is to list the individual songs that inspired and entertained me the most in 2018. Some of these may have come out in 2017, or in a few extreme cases, as singles in 2016 that didn’t make it onto an actual album release until more recently. Either way, it was all new to me this year, or else I heard it in late 2017 and I had a belated reaction to it. Explanations and video/audio links are given for the Top 30 – for the rest, if you’re curious, just click the review links where provided to learn more.

As always, many of these songs (limit one per artist) are collected in my 2018 in a Nutshell playlist over on Spotify.

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A Song For Every Year, Part 3: 1998-2007

This is part three of a series chronicling each year of my life as viewed through the lens of a song that was meaningful to me in some way that represents a significant aspect of my life experience in that year. This segment covers the third decade of my life. Be sure to catch up on Part 1 and Part 2 first.

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Obsessive Year-End List Fest 2017: Wait, That’s Not an Album! (and Last Year’s Leftovers)

As always, I wanted to give a mention to the music I enjoyed this year that didn’t fit the traditional “album” format, or else that was released in 2016 and I didn’t catch up to it until this year. Either way, none of it’s eligible for my Top 20 list, but all of it is definitely worth checking out if anything I have to say here piques your interest.

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Obsessive Year-End List Fest 2017: Favorite Songs

It’s that time of year again where I run through the list of songs that inspired me, entertained me, or just plain got stuck in my head for amusing reasons, more than any other songs in the last 12 months. Most of these were released in 2017. Some came out in 2016 and I either didn’t hear them until this year or didn’t come to fully appreciate them in time for last year’s list. I’ve given brief explanations and YouTube links for the Top 30. For the rest… just check the reviews where they’re linked, if you’re curious.

And as always, many of these songs (limit one per artist) are collected in my 2017 in a Nutshell playlist over on Spotify.

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