The Best of the Tenny Tweens, Part I: 81-100

And now, finally, it’s time to get started with the Proper Top 100 list! A lot of truly excellent music came out in the 2010s, to the point where narrowing it down to the most deserving albums required a mental refresher on well over 200 albums that I had enjoyed during the last ten years. It’s taken me longer than expected to get this list off to a proper start, due to a bit of a counting mishap when I was choosing my finalists, resulting in some painful last-minute cuts when I realized that I had put more than 20 albums in my lowest tier out of the 100. But that’s all settled now, and I’ve got my list broken into 5 parts, during which I’ll take a look back at 20 great albums per installment.

Everything in this first section of the list would score a B+ if I reviewed it today, so it’ll be a little ways up the list before we get to the truly amazing stuff. But even within this initial batch of 20 albums, there are tons of fond memories that I get from going back and revisiting the vast majority of the tracks on each of these – and in a few cases, new memories still being formed, as I discovered a few of these albums for the first time during a huge back catalogue binge I embarked on last year.

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Obsessive Year-End List Fest 2013: Favorite Albums and Honorable Mentions

For the third and final entry in this long-winded look back at the music that mattered to me this year, I present the cream of the crop – the albums that provided me with the most satisfying listening experience from beginning to end, which is a much more difficult feat than simply hooking me with a catchy song or two, and arguably a feat many artists have given up on in the age of digital music that can just as easily be released for bite-sized consumption on a sporadic schedule, rather than thought through as a fully-formed artistic statement. These albums don’t have that much in common with one another, but taken all together, they represent the weird snowball of influences that make up my musical tastes these days, ranging from old favorites who have resurfaced after lying dormant for many years, to buzz-gathering indie artists who have begun to break out of the blogosphere and into some version of “the mainstream”, to those who have given up entirely on mainstream fame and are content to Kickstarter and Indiegogo their way into fans’ hearts with no traditional support structure whatsoever. It’s all a very weird mix, but it’s all quite delicious.

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Obsessive Year-End List Fest 2013: Favorite Songs

It’s time to kick off my yearly obsession with counting things that it really makes no sense to put in order. More detailed write-ups on the full lengths albums that captivated me this year are to follow, but for now, here’s a haphazard list I’ve compiled of 100 songs that moved me this year… some physically, some emotionally, some both.

For those who’d like to follow along and listen to some of my picks, I’ve compiled a playlist (limited to one song per artist, because it’s crazy long enough already), that hits a lot of the year’s highlights, in roughly the order I came to discover them.
https://play.spotify.com/user/1297881374/playlist/22zq8wfpybMfROtcKPQTct
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The Best of the Ought Nots, Part I: 81-100

The beginning of a new year, 2010, and a new third digit in our numbering system for years that indicates I’ll likely never see another year with “0” in that slot for the rest of my lifetime, means that for the first time, this relatively young music fan gets to look back at entire decade (these things being commonly delineated by that third digit even if the technical scientific approach says our decade isn’t over until the beginning of 2011) and try to sum it all up in terms of the music that was meaningful to me over the course of nearly a third of my life. That’s right, I’m just a smidgen over 30, which means that the 2000’s (or the “Ought Nots”, as I’ve decided to call a decade of learning what not to do in retrospect) were my first full decade of being a true music fan. I might have come of age and finished high school and college in the 90’s, and I have my fair share of nostalgic tunes to whisk me back to those days. But this most recent decade was when I truly opened up, with the advent of file sharing and social networking making it remarkably easy to burst the bubble of “Christian music only” that I started out with, to go beyond the basic pop/rock styles largely dominant on the radio, and to really dig deep and find my own musical personality, unburdened by rumors of danger beyond the comfortable fences I had previously built for myself.

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