What Am I Listening To? – November 2019

As we round the corner into the home stretch of 2019, I’m trying to cram in a lot of the odds and ends that have released over the past month (and even a few that I missed out on last year) while simultaneously trying to gear up for my year-end (and decade-end!) list-making extravaganza. So I’m a bit scatterbrained and perhaps haven’t given some of this stuff as focused of a listen as I normally might. Worst case scenario, I’ll come back to some of it in 2020, after the dust settles and my slate is clear from all of the heavy nostalgia that has taken up most of my listening time recently.

Oh yeah, and there are a few Christmas albums/EPs that have come out recently, which I’ve made the decision to ignore until the beginning of December. I’ll do this column a little earlier next month so that I can actually cover those before Christmas arrives. For now, I’m focusing on the non-seasonal stuff.

Here are my first impressions of the latest from Sawyer, Merriment, Lord Huron, Hollow Coves, The Last Bison, Grace Potter, Andrew Osenga, R.E.M., Charlie Peacock, Darlingside, Global Genius, Coldplay, and Medical Morning.

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Obsessive Year-End List Fest 2018: Favorite Songs

First on my to-do list as the year comes to a close is to list the individual songs that inspired and entertained me the most in 2018. Some of these may have come out in 2017, or in a few extreme cases, as singles in 2016 that didn’t make it onto an actual album release until more recently. Either way, it was all new to me this year, or else I heard it in late 2017 and I had a belated reaction to it. Explanations and video/audio links are given for the Top 30 – for the rest, if you’re curious, just click the review links where provided to learn more.

As always, many of these songs (limit one per artist) are collected in my 2018 in a Nutshell playlist over on Spotify.

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Katie Herzig live @ The Troubadour: Starting a revolution against our own confusion

Deep into Katie Herzig‘s set at the Troubadour in West Hollywood last night, as she was playing an acoustic version of the fan favorite track “Hologram” by request, two odd realizations suddenly came to me:

  1. Wow, this was the first Katie Herzig song I ever heard, and that was 10 frigging years ago.
  2. Why wasn’t this song a huge hit?!?!?!

Now, there are a ton of more-or-less independent artists I follow who seem to have a strong cult following on the Internet, and who I could get salty about in terms of the mainstream pretty much ignoring them. But a lot of them make music that might not be “catchy” in the conventional sense, so I’m cool with it not being mainstream radio fare. Katie Herzig, though, seems to be the type of unabashedly poppy singer.songwriter who should have had a real shot at some hits back in the late 2000s. I probably only think that because I’ve always been super out-of-touch with what it takes to actually make music popular, but regardless: “Hologram” was a fun, upbeat, ridiculously catchy, self-effacing song about relationship failure that should have found a much larger audience.

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