In Brief: A smart but subdued folk/bluegrass record from an all-female trio that at times appears to be holding back the full power of their vocal harmonies and songwriting skills. This took a while for me to fully get into, but I can now say that I’m with I’m With Her.
Jon Foreman’s “25 in 24” tour provided not only a fascinating behind-the-scenes glimpse at how his unlikely feat of performing 25 shows in 24 hours came to be a few years ago, but also reminded fans of just how deeply his conviction to live each and every hour of life he’s been given to the fullest still runs. This was a breathtaking show, with unique arrangements of songs from Foreman’s solo albums and a few fan-selected Switchfoot tracks, revealing entire new worlds of possibility behind even songs I’d known and loved for close to two decades.
Artist: Future of Forestry
Album: Awakened to the Sound
In Brief: It’s a stretch these days to call Future of Forestry a “rock” band. This album is much more like a film score. Exciting, climactic percussion sounds abound on a few tracks, bringing back fond memories of the Travel series, but as a whole this record is something else, weaving Eastern-styled strings, drums and vocals into a much more classical-oriented take on the Future of Forestry sound.
Album: Where the Light Shines Through
In Brief: A strong comeback from Switchfoot after a trilogy of mediocre to mildly good albums. It doesn’t radically revamp their sound, but the new things that they do try here do a lot to revitalize it. It just feels like they tried a lot harder with this one, and that’s all I need from a band that could easily just keep repeating itself at this stage in its career.
Artist: Jon Foreman
Album: The Wonderlands: Darkness & Dawn
In Brief: While Darkness seems to drift a bit from the structure and purpose of The Wonderlands, Dawn brings the project around to a comforting and satisfying conclusion.
Artist: Jon Foreman
Album: The Wonderlands: Sunlight & Shadows
In Brief: The first 2 discs in this 4-disc collection showcase a variety of instrumentation and production styles that easily match the high bar set by Foreman’s seasonal EPs back in 2008. It might be a little mellow for Switchfoot fans, but it’s easily twice as deep as most of Switchfoot’s recent material.
The last two times I saw Nickel Creek were at the exact same venue where I was fortunate enough to see them perform earlier this week, on the final evening of their reunion tour. I realized just as I was typing that sentence that I’m incredibly spoiled.