While there’s been a ton of new music to take in during the month of May, I’ve also spent a good chunk of the month listening to old R.E.M. albums as I follow along with Scott Aukerman and Adam Scott’s mind-bogglingly weird and highly entertaining R U Talkin’ R.E.M. Re: Me? podcast, which is basically “season two” of their equally amusing U Talkin’ U2 to Me? podcast. These guys are true music geeks who are perhaps most entertaining when their differences of opinion come to the fore as they dig through every single track of every album in R.E.M.’s diverse and sometimes highly challenging discography. I’m finally discovering the magic in some of the band’s earlier work that I had previously overlooked as “all sounding the same” as a result of this. And I can’t wait for them to get to Reveal, my personal favorite R.E.M. record… though I have my doubts about whether they’ll be kind to it.
Here are my first impressions of the latest releases from Janelle Monáe, Parker Millsap, Eleanor Friedberger, Beach House, A Perfect Circle, Young Oceans, Umphrey’s McGee, and Chvrches.
This is the music I’ll remember the most when I think back on 2016. Not just the great singles (though these albums have plenty of those) or the dark horse picks buried deep in the track listings (tons of those too, though), but the way these records all flow from song to song, creating a continuous listening experience that makes spending nearly an hour of time with each artist (or more, in a few cases) worthwhile. On my most cynical days, I’d say that thanks to both terrestrial radio doing its thing and the ephemeral lifecycle of most songs and artists that go “viral” on social media, the single is a much more easily digestible and obtainable format for popular music nowadays, putting the album in danger of becoming a lost art. But from the very obscure to the decidedly mainstream, every record on this list would be here to prove me wrong.
The final days of 2016 are upon us, and that can only mean one thing – it’s time for some long lists that try (perhaps in vain) to sum up the best music I was listening to this year. As always, I’ll start with the individual songs that stood out to me the most. The in-depth reasons why I love these songs so much are mostly spelled out in the album reviews I’ve linked to from here, but in addition to the usual video evidence, I’ve also included a quick blurb for each of the Top 30 entries, just to keep it from being a long list with no explanation whatsoever, I guess.
I’ve also made a Spotify playlist that collects a lot of these highlights, if you’d like to spend a few hours following along. (That one’s ordered more as I discovered the songs, not so much how I’d rank them now, and it’s limited to one track per artist.)
Artist: Parker Millsap Album: The Very Last Day Year: 2016 Grade: B
In Brief: This alt-country record starts off incredibly strong, showing off the young songwriter’s incredible chops with a lot more instrumental bite than his last record had. (Especially “Heaven Sent”. If nothing else, please go listen to that one for me.) Unfortunately, the record’s uneven second half never quite reaches its initial level of greatness again.
It’s that time of year again, when I arbitrarily sort through the list of songs I’ve been obsessed with over the past 12 months, and try to whittle it down to a semi-reasonable list of 100 favorites. A lot of these were released in 2013, and a few even in 2012, but as usual, I was late to the party.
Music videos and some live performances are embedded for most of the Top 30. I didn’t want to go too far beyond that, for fear of crashing your browser. I’ve also created a Spotify playlist that explores a number of these favorites, more or less chronologically in the order that I discovered them.