Artist: Owl City Album: Cinematic Year: 2018 Grade: C
In Brief: Somewhere within this hodgepodge of bland personal anecdotes and ill-advised bits of genre-hopping, are a small handful of truly imaginative synthpop songs that remind me of why I once risked the scorn of fellow critics to proclaim that I actually liked Owl City. While sifting through 15 songs (and 3 alternate versions!) to find those rare gems is generally not a delightful experience, this album might still be a step up from Mobile Orchestra.
Wow, June was a crazy month for new music. Probably because there were five Fridays. A bunch of stuff I was looking forward to dropped on June 1, and then again just yesterday on June 29. Because I prefer to have listened to something a bare minimum of twice before mentioning it here, and just for the sake of my overall sanity, I’ve decided to punt a few of those June 29 releases to July, so that I can focus more on the few that I did manage to get to thus far.
Here are my first impressions of the latest releases from Sucré, Owl City, Neko Case, Father John Misty, The Flaming Lips, Dave Matthews Band, Arthur Buck, Kevin Max, Mike Shinoda, Florence + The Machine, Jim James, and Katie Herzig.