As always, I wanted to give a mention to the music I enjoyed this year that didn’t fit the traditional “album” format, or else that was released in 2016 and I didn’t catch up to it until this year. Either way, none of it’s eligible for my Top 20 list, but all of it is definitely worth checking out if anything I have to say here piques your interest.
It’s that time of year again where I run through the list of songs that inspired me, entertained me, or just plain got stuck in my head for amusing reasons, more than any other songs in the last 12 months. Most of these were released in 2017. Some came out in 2016 and I either didn’t hear them until this year or didn’t come to fully appreciate them in time for last year’s list. I’ve given brief explanations and YouTube links for the Top 30. For the rest… just check the reviews where they’re linked, if you’re curious.
And as always, many of these songs (limit one per artist) are collected in my 2017 in a Nutshell playlist over on Spotify.
Here are my first impressions of the latest releases from Circa Survive, Owel, Rina Sawayama, Tennis, Evanescence, Barenaked Ladies, and Björk.
This is the music I’ll remember the most when I think back on 2016. Not just the great singles (though these albums have plenty of those) or the dark horse picks buried deep in the track listings (tons of those too, though), but the way these records all flow from song to song, creating a continuous listening experience that makes spending nearly an hour of time with each artist (or more, in a few cases) worthwhile. On my most cynical days, I’d say that thanks to both terrestrial radio doing its thing and the ephemeral lifecycle of most songs and artists that go “viral” on social media, the single is a much more easily digestible and obtainable format for popular music nowadays, putting the album in danger of becoming a lost art. But from the very obscure to the decidedly mainstream, every record on this list would be here to prove me wrong.
The final days of 2016 are upon us, and that can only mean one thing – it’s time for some long lists that try (perhaps in vain) to sum up the best music I was listening to this year. As always, I’ll start with the individual songs that stood out to me the most. The in-depth reasons why I love these songs so much are mostly spelled out in the album reviews I’ve linked to from here, but in addition to the usual video evidence, I’ve also included a quick blurb for each of the Top 30 entries, just to keep it from being a long list with no explanation whatsoever, I guess.
I’ve also made a Spotify playlist that collects a lot of these highlights, if you’d like to spend a few hours following along. (That one’s ordered more as I discovered the songs, not so much how I’d rank them now, and it’s limited to one track per artist.)
Album: Dear Me
In Brief: Dear Me is every bit as complex, immersive, beautiful, and haunting as Owel’s self-titled debut. Both albums sit right on the cusp of greatness, and I’m honestly having trouble figuring out which one I like more. It’s a good problem to have.Continue reading
Here are my first impressions of the latest releases from Jimmy Eat World, Empire of the Sun, The Digital Age, Norah Jones, Future of Forestry, and Owel.