The Best of the Tenny Tweens, Part III: 41-60

We’re at the midpoint of the list now… this is where the absolute best of the B-plus range starts to blend into the A-minus range. But first, some more fun facts (or at least, facts that a nerdy analytical guy like me considers fun), this time related to geography. Where in the world are all of these artists from?

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The Best of the Tenny Tweens, Part II: 61-80

Before we get on with the next 20 albums in my decade-end list, I thought it’d be interesting to break down all 100 by which year they came out.

9 of these albums came out in 2010.
17 of these albums came out in 2011.
10 of these albums came out in 2012.
18 of these albums came out in 2013.
7 of these albums came out in 2014.
9 of these albums came out in 2015.
6 of these albums came out in 2016.
9 of these albums came out in 2017.
12 of these albums came out in 2018.
4 of these albums came out in 2019.

(Yes, I know that the numbers above add up to 101. One of these albums was re-released, and I’m having a hard time choosing which version I like better. That’ll be addressed down below.)

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The Best of the Tenny Tweens (Prologue: Wait, That’s Not an Album!)

Alright, so it’s 2020, and it’s time to look back on the best music from the decade that is now behind us. Most of us will simply refer to that decade as “The Twenty Tens”, “The New Tens”, “The Teens”, etc. I’ve decided to label them “The Tenny Tweens”, mostly for the delight of how that silly phrase rolls off the tongue and because I wanted a unique nickname for it after coming up with “The Ought Nots” for the 2000s, but also because it felt very much like a decade of between-ness and transition, where I ended up in a different place both personally and in terms of my musical tastes than where I started.

Anyway, before I get to the proper list of what I’d consider my favorite album releases of the 2010s, I wanted to give honorable mentions to a hodgepodge of releases that don’t really fit into the conventional album format – generally because they’re too long, too short, and/or are mostly comprised of previously released material. Plenty of songs from these releases perked up my ears and lifted my spirits over the last several years, and it didn’t feel right glossing over ’em entirely simply because the artist didn’t choose a conventional LP as their method of releasing ’em.

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Obsessive Year-End List Fest 2019: Favorite Albums

I’m gonna keep it lean this year and just stick to a Top 10 Albums list instead of my usual 20. It just seems right, what with the smaller pool of albums that I had to choose from which got a strong enough positive reaction from me that I’d recommend them to others without hesitation. This year I only gave a single album an “A” grade, and the rest of these are in the B to B-plus range. You might wonder if that’s a side effect of having listened to so much music from earlier in the decade over the course of 2019 (in preparation for the Decade-End list I’ve got coming up early in the new year) that I didn’t really make a lot of time for new releases, but I compared my 2019 Music Journal to the one from 2018, and I actually listened to almost the same amount of new albums both years. And I definitely tried brand new artists this year who might not have seemed at first like they’d be up my alley when their music was described to me – a few of those even landed in my Top 10! So it wasn’t for a lack of opportunity, or attentiveness on my part.

Anyway, these are the 10 albums that impressed me most in 2019. I’m sure I’ll eventually find others to add to this list retroactively (feel free to leave suggestions in the comments), so I don’t consider this a done deal. But it’s the end of the year now, and I wanted to at least document what albums I enjoyed the most while they were brand new.

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Obsessive Year-End List Fest 2019: Favorite Songs

2019 was a weird year for me, in terms of the music I enjoyed most. A lot of artists put out genuinely great singles, only to follow them up with lackluster albums, EPs as stopgaps between albums, or really nothing at all. It’s a good thing I was following all of my favorite artists on Spotify, as well as some newer ones I was curious to hear more from, or else I might have not heard a good quarter of this list until 2019, if ever. Usually the vast majority of my Top 100 songs for the year comes from my favorite albums released that year, with some spillover from the year before. While that’s still true in 2019, it’s worth noting that nearly a tenth of my list this time comes from EPs or compilations rather than albums, and close to another tenth of the list is made up of non-album singles, that have yet to be attached to a larger collection of songs (assuming that will ever happen at all). While this speaks to the ability of many of my favorite artists to strike while the iron is hot in terms of getting new music out, it also worries me slightly where the longevity of the album format is concerned. But that’s an issue to discuss when I get to my list of Favorite Albums for the year. My Favorite Songs list, while eclectic and probably whiplash-inducing at certain points, definitely required some tough decision-making because there were so many great songs that spoke to me this year. At the end of the day, whether a song is part of a larger narrative or not, that’s really all that matters – whether the song stands out to me as unique in some way, and makes me want to keep coming back to listen to it over and over again. And everything on this list passed that test with flying colors!

As I do each year, I’ll give some insight into my reasons for picking the Top 30, and you can assume after that point that the ordering is somewhat arbitrary. Many of these songs (limit one per artist) are collected in my 2019 in a Nutshell playlist over on Spotify.

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Owel – Paris: How do I make you understand through words something that never truly could be heard?

Artist: Owel
Album: Paris
Year: 2019
Grade: B+

In Brief: Owel’s third album proves that their delicious blend of indie rock with classical/chamber pop sensibilities is both reliable and malleable. While many of the songs take a while to sink in, as they have on previous albums, I’m tempted to think that they’re stronger for it, as a lot of these songs have euphoric crescendos that make the payoff worth the wait. But it’s also good that they’ve learned how to not overdo that approach to the point where it gets too predictable, and thus a few of their best songs that might be considered “poppy” can be found here as well.

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