The Best of the Tenny Tweens, Part IV: 21-40

Welcome to the penultimate section of the Top 100 list! We’re looking at nothing but A-grade material from here on out, folks. Before we dig into the next 20 albums I’ve chosen to highlight, let’s talk about what genres are represented on this list.

Admittedly the concept of “genre” is a tricky thing to define, and I’ve played fast and loose with it as I’ve reviewed albums over the years, sometimes not applying genre tags consistently to the same artist making more or less the same style from one album to the next. or they’ve undergone a radical change in their sound, and yet I still consider them part of the old genre in my mind because they’re still associated with that scene. It’s more of an art than a science, and often the records that excite me most will dabble in a wide array of genre influences, making an accurate descriptor for their sound as a whole rather difficult to nail down.

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The Best of the Tenny Tweens, Part III: 41-60

We’re at the midpoint of the list now… this is where the absolute best of the B-plus range starts to blend into the A-minus range. But first, some more fun facts (or at least, facts that a nerdy analytical guy like me considers fun), this time related to geography. Where in the world are all of these artists from?

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What Am I Listening To? – December 2018

Not as much new stuff this month, because I am insanely busy going back through all of the albums I listened to since January in order to figure out the final placement for my best and worst of 2018 lists! Still, I found time to offer some brief thoughts on the latest from Mae, The 1975, Tennis, Jeff Tweedy, MuteMath, Trey Pearson, The Decemberists, and Mew.

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Obsessive Year-End List Fest 2017: Favorite Albums (and Honorable Mentions)

Out of the increasingly eclectic list of albums that makes its way into my Spotify playlists (and eventually my physical collection, wherever possible), here’s the stuff that I enjoyed the most in 2017, and that I would absolutely recommend, with no reservations, to anyone whose favorite type of music can best be described as “stuff that challenges me in some way but that is always super catchy”. (Is that not a musical genre? it should be.)

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Obsessive Year-End List Fest 2017: Favorite Songs

It’s that time of year again where I run through the list of songs that inspired me, entertained me, or just plain got stuck in my head for amusing reasons, more than any other songs in the last 12 months. Most of these were released in 2017. Some came out in 2016 and I either didn’t hear them until this year or didn’t come to fully appreciate them in time for last year’s list. I’ve given brief explanations and YouTube links for the Top 30. For the rest… just check the reviews where they’re linked, if you’re curious.

And as always, many of these songs (limit one per artist) are collected in my 2017 in a Nutshell playlist over on Spotify.

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MuteMath – Play Dead: My sympathies for the obsolete are climbing higher every day.

Artist: MuteMath
Album: Play Dead
Year: 2017
Grade: B-

In Brief: It’s chill and yet energetic, stripped down at times and yet very dense and “jammy” at others. A deliberate contrast to Vitals at times, yet the parallel writing process of both albums shows through occasionally. While I don’t think this is MuteMath’s best work, I have to separate my negative feelings about the recent departure of two band members from my opinion of the material on this album that was recorded while they were still very much a part of the creative process.

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