Here are the albums that I had the toughest time making it all the way through in 2018. At the top of the list are the merely mediocre records that I almost wanted to rescue from the “dishonorable” pile, but that just didn’t have enough good to outweigh the bad. As you get further down, the list gets more and more abysmal, to the point where I can’t even come up with a track highlight to make a case for why it’s not all bad.
Here are my first impressions of the latest releases from Rosanne Cash, The Lone Bellow, Muse, Crowder, Fleet Foxes, Esperanza Spalding, Mumford & Sons, P.O.D., Chvrches, Kevin Max, and My Brightest Diamond.
I don’t like a lot of hodgepodge in my year-end lists of favorite albums. But sometimes the good songs don’t end up on full-length LPs, or else they do and I just don’t discover them in time to put them on that year’s list. This is where all of that stuff goes.
The final days of 2016 are upon us, and that can only mean one thing – it’s time for some long lists that try (perhaps in vain) to sum up the best music I was listening to this year. As always, I’ll start with the individual songs that stood out to me the most. The in-depth reasons why I love these songs so much are mostly spelled out in the album reviews I’ve linked to from here, but in addition to the usual video evidence, I’ve also included a quick blurb for each of the Top 30 entries, just to keep it from being a long list with no explanation whatsoever, I guess.
I’ve also made a Spotify playlist that collects a lot of these highlights, if you’d like to spend a few hours following along. (That one’s ordered more as I discovered the songs, not so much how I’d rank them now, and it’s limited to one track per artist.)
Artist: Mumford & Sons
Album: Johannesburg EP
In Brief: Surprisingly strong, given the unlikely collaboration between an English “folk” band and three stylistically divergent African artists. I still think Mumford & Sons are poseurs of a sort, wandering the world in search of a sound they can actually master, but this EP at least proves that they’re excellent collaborators.
Here are my first impressions of the latest releases from House of Heroes, Sara Watkins, Switchfoot, The Temper Trap, Steven Page, Mumford & Sons, Relient K, and Kevin Max.
Before I get to the albums that got me most excited this year, I figured I should take a quick look back at the albums that were so disappointing that it was hard for me to even muster up the courage to give them a second listen. Of course I did eventually go back to these records to see if a little time and more carefully managed expectations would change my perception of these them, but for the most part, they failed to deliver. Not everything about these records is bad, and the worst of the bunch merits a D minus rather than a hard F in my book, so I’ve certainly heard worse in previous years. I’ve also heard something genuinely enjoyable from everyone on this list in previous years (or in one case, this year). But I can safely say that all of these artists fell short of their potential this time around.