Alright, so it’s 2020, and it’s time to look back on the best music from the decade that is now behind us. Most of us will simply refer to that decade as “The Twenty Tens”, “The New Tens”, “The Teens”, etc. I’ve decided to label them “The Tenny Tweens”, mostly for the delight of how that silly phrase rolls off the tongue and because I wanted a unique nickname for it after coming up with “The Ought Nots” for the 2000s, but also because it felt very much like a decade of between-ness and transition, where I ended up in a different place both personally and in terms of my musical tastes than where I started.
Anyway, before I get to the proper list of what I’d consider my favorite album releases of the 2010s, I wanted to give honorable mentions to a hodgepodge of releases that don’t really fit into the conventional album format – generally because they’re too long, too short, and/or are mostly comprised of previously released material. Plenty of songs from these releases perked up my ears and lifted my spirits over the last several years, and it didn’t feel right glossing over ’em entirely simply because the artist didn’t choose a conventional LP as their method of releasing ’em.
Here are the albums that I had the toughest time making it all the way through in 2018. At the top of the list are the merely mediocre records that I almost wanted to rescue from the “dishonorable” pile, but that just didn’t have enough good to outweigh the bad. As you get further down, the list gets more and more abysmal, to the point where I can’t even come up with a track highlight to make a case for why it’s not all bad.
Here are my first impressions of the latest releases from Rosanne Cash, The Lone Bellow, Muse, Crowder, Fleet Foxes, Esperanza Spalding, Mumford & Sons, P.O.D., Chvrches, Kevin Max, and My Brightest Diamond.
I don’t like a lot of hodgepodge in my year-end lists of favorite albums. But sometimes the good songs don’t end up on full-length LPs, or else they do and I just don’t discover them in time to put them on that year’s list. This is where all of that stuff goes.
The final days of 2016 are upon us, and that can only mean one thing – it’s time for some long lists that try (perhaps in vain) to sum up the best music I was listening to this year. As always, I’ll start with the individual songs that stood out to me the most. The in-depth reasons why I love these songs so much are mostly spelled out in the album reviews I’ve linked to from here, but in addition to the usual video evidence, I’ve also included a quick blurb for each of the Top 30 entries, just to keep it from being a long list with no explanation whatsoever, I guess.
I’ve also made a Spotify playlist that collects a lot of these highlights, if you’d like to spend a few hours following along. (That one’s ordered more as I discovered the songs, not so much how I’d rank them now, and it’s limited to one track per artist.)
Artist: Mumford & Sons Album: Johannesburg EP Year: 2016 Grade: B+
In Brief: Surprisingly strong, given the unlikely collaboration between an English “folk” band and three stylistically divergent African artists. I still think Mumford & Sons are poseurs of a sort, wandering the world in search of a sound they can actually master, but this EP at least proves that they’re excellent collaborators.