What Am I Listening To? – September 2018

Wow, did I really try to digest fourteen new albums this month? (OK, actually ten albums and four EPs, but still.) That’s a bit much, even for me. September had no shortage of intriguing releases, but I’ve actually had to save a few for October, just to make sure I have time to catch my breath after some of the Friday morning new music rituals that are now regularly stretching well into the afternoon.

Here are my first impressions of the latest releases from Iron & Wine, Matthew Thiessen & The Earthquakes, St. Paul & The Broken Bones, mewithoutYou, Animal Collective, Thrice, Yoav, Steven Page, Wye Oak, The Last Bison, Frontperson, Metric, Aphex Twin, and Mae.

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The Best of 2012: Give Us Peace or (Tempering the Wild Vitality [of Current Things])

2012. That was an interesting year, wasn’t it? The world didn’t end after all – not that most of the intelligent among us really expected it to. For me, personally, the world actually seemed to ease up a bit compared to the chaos it threw at me in 2011. 2012 was kind of a year of rebirth. And the following albums and songs artists provided the highlights of its soundtrack.

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Divad’s Soundtrack #82: November-December 2009

What was going on in my life back in the fall of 2009? I can remember going to a lot of concerts – at least four in the span of two months, if my math is correct. All of them rank among the most jaw-droppingly stellar performances I’ve ever seen from any live band – which includes the absolute largest concert I will probably ever attend, by a world-famous band that has been making music for as long as I have been alive. I can also remember the usual activities that I love to partake in most years at around this time, like going on a church retreat up in the mountains, and seeing fall colors and autumnal decorations at a nearby botanical garden. Beautiful places that sparked reactions of awe and admiration and a sense of peace. As I go through these songs I picked to represent the fall months of that year, I’m struck by how many of them also inspire a sense of awe, trying to express in the limited medium of sound what it would look like or feel like to approach heaven, eternity, the presence of God, etc. With that said, there’s also a lot of melancholy stuff here that deliberately contrasts upbeat and colorful musical performances with kinda depressing lyrics. What can I say – I’ve developed a weird affinity for that sort of songwriting, which has been true even in seasons of life where I would have considered myself relatively happy.

In with the New:
Muse

Out with the Old:
Pillar
The Elms

Listen on Spotify:

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Divad’s Soundtrack #80: May-June 2009

If you were to listen to this mix that I made in the summer of 2009, and take the songs as literal indicators of what I was going through at the time, you might assume that I had gone on a post-apocalyptic road trip, gotten lost at sea, enlisted in a foreign war, and became very, very convinced that I was going to die soon. None of those things actually happened, but the music told such vivid stories that I felt intrigued, even downright moved, by what a lot of the characters in these songs were going through. I remember this as a generally happy phase of my life, and I’m immediately transported back to that happy vibe by the opening songs on Disc One. But I was having some issues with insomnia at the time, as well as a resulting loss of appetite and general malaise that followed it most mornings. The final songs on the second disc are the ones that most honestly address that feeling of knowing I wasn’t in the healthiest place physically, and wanting to reach out for help and make some genuine changes to keep it from getting worse.

In with the New:
Grizzly Bear
mewithoutYou

Out with the Old:
The Listening

Listen on Spotify:

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