I’m gonna keep it lean this year and just stick to a Top 10 Albums list instead of my usual 20. It just seems right, what with the smaller pool of albums that I had to choose from which got a strong enough positive reaction from me that I’d recommend them to others without hesitation. This year I only gave a single album an “A” grade, and the rest of these are in the B to B-plus range. You might wonder if that’s a side effect of having listened to so much music from earlier in the decade over the course of 2019 (in preparation for the Decade-End list I’ve got coming up early in the new year) that I didn’t really make a lot of time for new releases, but I compared my 2019 Music Journal to the one from 2018, and I actually listened to almost the same amount of new albums both years. And I definitely tried brand new artists this year who might not have seemed at first like they’d be up my alley when their music was described to me – a few of those even landed in my Top 10! So it wasn’t for a lack of opportunity, or attentiveness on my part.
Anyway, these are the 10 albums that impressed me most in 2019. I’m sure I’ll eventually find others to add to this list retroactively (feel free to leave suggestions in the comments), so I don’t consider this a done deal. But it’s the end of the year now, and I wanted to at least document what albums I enjoyed the most while they were brand new.
2019 was a weird year for me, in terms of the music I enjoyed most. A lot of artists put out genuinely great singles, only to follow them up with lackluster albums, EPs as stopgaps between albums, or really nothing at all. It’s a good thing I was following all of my favorite artists on Spotify, as well as some newer ones I was curious to hear more from, or else I might have not heard a good quarter of this list until 2019, if ever. Usually the vast majority of my Top 100 songs for the year comes from my favorite albums released that year, with some spillover from the year before. While that’s still true in 2019, it’s worth noting that nearly a tenth of my list this time comes from EPs or compilations rather than albums, and close to another tenth of the list is made up of non-album singles, that have yet to be attached to a larger collection of songs (assuming that will ever happen at all). While this speaks to the ability of many of my favorite artists to strike while the iron is hot in terms of getting new music out, it also worries me slightly where the longevity of the album format is concerned. But that’s an issue to discuss when I get to my list of Favorite Albums for the year. My Favorite Songs list, while eclectic and probably whiplash-inducing at certain points, definitely required some tough decision-making because there were so many great songs that spoke to me this year. At the end of the day, whether a song is part of a larger narrative or not, that’s really all that matters – whether the song stands out to me as unique in some way, and makes me want to keep coming back to listen to it over and over again. And everything on this list passed that test with flying colors!
As I do each year, I’ll give some insight into my reasons for picking the Top 30, and you can assume after that point that the ordering is somewhat arbitrary. Many of these songs (limit one per artist) are collected in my 2019 in a Nutshell playlist over on Spotify.
Artist: Meg & Dia Album: happysad Year: 2019 Grade: B+
In Brief: Think of this less as a reformation of Meg & Dia the band, and more as a rediscovery of Meg & Dia the sisters who loved making music together, and who now make sharp, witty pop songs with engaging riffs and rhythms. It’s sad that all the music industry B.S. ever split them up in the first place, but it feels so good to have these two back together again.
The end of 2009 is upon us, friends. It was a year that many of us didn’t look forward to, already knowing to expect financial woes and potential job losses (if not already realized ones) going into it – a year where the unexpected road ahead seemed to promise more hardship than exciting new possibilities to explore. but a poor year for the world was a rich year for music – either because artists channelled their angst into some of the best songs they’d ever written, or because more and more of them were jumping ship on the big labels and finding freedom to go where their imaginations would take them even if the audiences weren’t as big as a result. Some found artful ways to downsize while others played it as over-the-top as they could in defiance of expectations. In the end, it was a more exciting year than I could have anticipated, one that has left me with a lot to look forward to.