It feels like this year brought along a massive hodgepodge of acoustic remake EPs (and some full LPs), remix projects, live albums, etc. from artists whose studio work I tend to enjoy. A lot of it felt hastily rushed out the door in order to generate more streaming revenue, to be honest. But these few holdouts containing all original material (or covers of a single artist, in one case) were of such strong quality that I found myself wishing each one could be expanded into an album in its own right. (Or in one instance, wishing it could have actually been part of the album it was released as a prelude to.) Here are the EPs that I enjoyed the most in 2018, as well as a pair of actual full-length albums from 2017 that I didn’t get around to in time.
Here are my first impressions of the latest releases from KT Tunstall, Hellogoodbye, The Gray Havens, Jim James, mewithoutYou, St. Vincent, Blitzen Trapper, Kimbra, Alter Bridge, Marc Martel, and Flint Eastwood.
Here are my first impressions of the latest releases from Future of Forestry, Katie Herzig, Lucius, Everything Everything, I’m With Her, Vertical Horizon, The Decemberists, The Corrs, Jason Wade, and Marc Martel.
The next order of business as I relive some of my favorite music from the past year is to give credit to the odds and ends that I really enjoyed, but considered categorically ineligible for my “Top Albums” list, either because they aren’t full-length albums, they were re-releases of older material, or they were released in 2014 and I just didn’t catch up to them in time to put them on last year’s list.
The first order of business as 2015 comes to a close is to sift through all of my favorite songs that I first heard this year (or perhaps late last year, and it just took me a little longer to appreciate them) and attempt to put them in order, which as usual starts to get a bit silly below the top 30 or so. Music videos and some live performances are embedded for that first chunk of the list. As I’ve done in previous years, I’ve also got a Spotify playlist that covers a lot of these, limited to a song per artist and more in chronological order of when I discovered them.
In Brief: Martel joyfully embraces his claim to fame as a Freddie Mercury doppelganger on this album, while also asserting his own identity apart from it. In doing so, he gets to fully indulge his more theatrical tendencies, and he comes up with a solid collection of power pop and riff-heavy rock songs that remind me of what his old band Downhere might have sounded like, if only they had let loose a little more often.Continue reading
The start of a new year means a lot of catching up on stuff folks recommended to me last year that I didn’t quite get around to in time. But there are actually a couple brand new releases in here somewhere. January turned out to be a better month for new music than I expected!
Here are my first impressions of the latest releases from Andrew Peterson, Brooke Fraser, Martel, Matisyahu, Young Oceans, Joe Henry, Foo Fighters, Belle & Sebastian, Sleater-Kinney, Sia, and The Lone Bellow.