The first order of business as 2015 comes to a close is to sift through all of my favorite songs that I first heard this year (or perhaps late last year, and it just took me a little longer to appreciate them) and attempt to put them in order, which as usual starts to get a bit silly below the top 30 or so. Music videos and some live performances are embedded for that first chunk of the list. As I’ve done in previous years, I’ve also got a Spotify playlist that covers a lot of these, limited to a song per artist and more in chronological order of when I discovered them.
In Brief: At first glance, this appears to be a return to the same-old same-old as a knee-jerk reaction against the negative feedback they got when they tried to change up their sound on Almería. But look a little deeper, and there are some really well-written songs that don’t fit the expected Lifehouse mold. There just aren’t enough of them to win the band any new fans this late in the game.
Here are my first impressions of the latest releases from Kathryn Calder, Mumford & Sons, My Morning Jacket, Punch Brothers, Incubus, Lifehouse, The Nor’easters, and Trails and Ways.
In Brief: I’m guessing Almería won’t sit well with long-time Lifehouse fans, but I consider it a welcome reinvention for a band who desperately needed a change.
In Brief: It is what it is. If that seems like a frustratingly vague description, then well, that’s exactly how this album makes me feel.
The beginning of a new year, 2010, and a new third digit in our numbering system for years that indicates I’ll likely never see another year with “0” in that slot for the rest of my lifetime, means that for the first time, this relatively young music fan gets to look back at entire decade (these things being commonly delineated by that third digit even if the technical scientific approach says our decade isn’t over until the beginning of 2011) and try to sum it all up in terms of the music that was meaningful to me over the course of nearly a third of my life. That’s right, I’m just a smidgen over 30, which means that the 2000’s (or the “Ought Nots”, as I’ve decided to call a decade of learning what not to do in retrospect) were my first full decade of being a true music fan. I might have come of age and finished high school and college in the 90’s, and I have my fair share of nostalgic tunes to whisk me back to those days. But this most recent decade was when I truly opened up, with the advent of file sharing and social networking making it remarkably easy to burst the bubble of “Christian music only” that I started out with, to go beyond the basic pop/rock styles largely dominant on the radio, and to really dig deep and find my own musical personality, unburdened by rumors of danger beyond the comfortable fences I had previously built for myself.
The spring and late summer of 2008 saw me finally getting into a couple of bands that I’d been on the fence about for several years, but wasn’t quite in the right headspace to fully appreciate until they dropped new records that year. As I look back on the set of songs I chose for this particular soundtrack, I’m noticing a theme of wanting to fly away or escape from some sort of captivity in a handful of the songs on Disc One, while Disc Two dives deeper into disillusionment with hypocritical leaders, and with the “prosperity Gospel” I was still trying to shake of the last vestiges of as I was confronted by issues of poverty and marginalized groups that had been treated poorly by the Church. Heavy stuff, though I saved a few lighter songs of “romantic gratitude” for the end, just to conclude the set peacefully. There’s also a pair of songs about counting, and a number of songs that switch between 3/4 and 4/4 time, which was apparently a thing I was really into at the time.
In with the New:
Out with the Old:
Steven Delopoulos (as a solo artist – appears later with Burlap to Cashmere)
Five O’Clock People