We’re at the midpoint of the list now… this is where the absolute best of the B-plus range starts to blend into the A-minus range. But first, some more fun facts (or at least, facts that a nerdy analytical guy like me considers fun), this time related to geography. Where in the world are all of these artists from?Continue reading
Here are my first impressions of the latest releases from KT Tunstall, Hellogoodbye, The Gray Havens, Jim James, mewithoutYou, St. Vincent, Blitzen Trapper, Kimbra, Alter Bridge, Marc Martel, and Flint Eastwood.
It’s that time of year again, when I arbitrarily sort through the list of songs I’ve been obsessed with over the past 12 months, and try to whittle it down to a semi-reasonable list of 100 favorites. A lot of these were released in 2013, and a few even in 2012, but as usual, I was late to the party.
Music videos and some live performances are embedded for most of the Top 30. I didn’t want to go too far beyond that, for fear of crashing your browser. I’ve also created a Spotify playlist that explores a number of these favorites, more or less chronologically in the order that I discovered them.
Album: Everything Is Debatable
In Brief: Just about the perfect combination of the first album’s “goofing around with synthesizers” and the second album’s “figuring out how to be an actual band more so than an Internet meme”. The results may not be revolutionary, but HGB makes some of the most intoxicating “power pop” music in existence.Continue reading
For the third and final entry in this long-winded look back at the music that mattered to me this year, I present the cream of the crop – the albums that provided me with the most satisfying listening experience from beginning to end, which is a much more difficult feat than simply hooking me with a catchy song or two, and arguably a feat many artists have given up on in the age of digital music that can just as easily be released for bite-sized consumption on a sporadic schedule, rather than thought through as a fully-formed artistic statement. These albums don’t have that much in common with one another, but taken all together, they represent the weird snowball of influences that make up my musical tastes these days, ranging from old favorites who have resurfaced after lying dormant for many years, to buzz-gathering indie artists who have begun to break out of the blogosphere and into some version of “the mainstream”, to those who have given up entirely on mainstream fame and are content to Kickstarter and Indiegogo their way into fans’ hearts with no traditional support structure whatsoever. It’s all a very weird mix, but it’s all quite delicious.
Album: Would It Kill You?
In Brief: Exhilarating blend of classic and modern power pop sounds.Continue reading
We returned to California in July to find summer in full blast. Maybe it was the sudden change of environment, or maybe it was just a sense of “What now?” after fulfilling that lifelong dream by going on the Alaska trip, but I got sick and rather depressed for most of July, and I felt this general sense of weakness and unidentifiable malaise most days, especially if I put off eating a meal. It took me a while to figure out that it directly correlated to mealtimes, but I also think there was an emotional/spiritual component to it that led me to make more of a deliberate effort to reconnect with friends in my faith community, and especially with my wife, with whom I celebrated two years of marriage that summer.
In with the New:
Andrea Corr (as a solo artist – appears previously with The Corrs)
Out with the Old:
Listen on Spotify: