Obsessive Year-End List Fest 2014: Favorite Songs

It’s that time of year again, when I arbitrarily sort through the list of songs I’ve been obsessed with over the past 12 months, and try to whittle it down to a semi-reasonable list of 100 favorites. A lot of these were released in 2013, and a few even in 2012, but as usual, I was late to the party.

Music videos and some live performances are embedded for most of the Top 30. I didn’t want to go too far beyond that, for fear of crashing your browser. I’ve also created a Spotify playlist that explores a number of these favorites, more or less chronologically in the order that I discovered them.

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Hellogoodbye – Everything Is Debatable: I want to feel infinite, but I don’t think my heart’s that in it.

2013_Hellogoodbye_EverythingIsDebatable

Artist: Hellogoodbye
Album: Everything Is Debatable
Year: 2013
Grade: A-

In Brief: Just about the perfect combination of the first album’s “goofing around with synthesizers” and the second album’s “figuring out how to be an actual band more so than an Internet meme”. The results may not be revolutionary, but HGB makes some of the most intoxicating “power pop” music in existence.

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Obsessive Year-End List Fest 2013: Favorite Albums and Honorable Mentions

For the third and final entry in this long-winded look back at the music that mattered to me this year, I present the cream of the crop – the albums that provided me with the most satisfying listening experience from beginning to end, which is a much more difficult feat than simply hooking me with a catchy song or two, and arguably a feat many artists have given up on in the age of digital music that can just as easily be released for bite-sized consumption on a sporadic schedule, rather than thought through as a fully-formed artistic statement. These albums don’t have that much in common with one another, but taken all together, they represent the weird snowball of influences that make up my musical tastes these days, ranging from old favorites who have resurfaced after lying dormant for many years, to buzz-gathering indie artists who have begun to break out of the blogosphere and into some version of “the mainstream”, to those who have given up entirely on mainstream fame and are content to Kickstarter and Indiegogo their way into fans’ hearts with no traditional support structure whatsoever. It’s all a very weird mix, but it’s all quite delicious.

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Divad’s Soundtrack #69: July-August 2007

We returned to California in July to find summer in full blast. Maybe it was the sudden change of environment, or maybe it was just a sense of “What now?” after fulfilling that lifelong dream by going on the Alaska trip, but I got sick and rather depressed for most of July, and I felt this general sense of weakness and unidentifiable malaise most days, especially if I put off eating a meal. It took me a while to figure out that it directly correlated to mealtimes, but I also think there was an emotional/spiritual component to it that led me to make more of a deliberate effort to reconnect with friends in my faith community, and especially with my wife, with whom I celebrated two years of marriage that summer.

In with the New:
Deas Vail
Andrea Corr (as a solo artist – appears previously with The Corrs)
Wavorly

Out with the Old:
Fort Minor
Chevelle

Listen on Spotify:

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Divad’s Soundtrack #68: May-June 2007

In late June 2007, I finally achieved my lifelong dream of taking a trip to Alaska. I had been obsessed with the far-flung corners of our country since first learning about the 50 States as a child, and being with Christine had given me ample opportunity to explore Hawaii, but this far-off northern land eluded me due to the logistical difficulties of getting there. We finally took the plunge and flew into Anchorage (with a few days’ layover in Seattle to hang out with Jennie and her husband Dave), rented a car, and took a road trip throughout the southern and western parts of the state – excluding the Panhandle, most of which you can’t drive to. The trip still dominates my memories of that summer, as one of the absolute most superlative places I’ve ever laid eyes on.

In with the New:
Björk
Anathallo
Matt Wertz
Fort Minor

Out with the Old:
Skillet
The Wreckers

Listen on Spotify:

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