Here are my first impressions of the latest from Ron Sexsmith, Sharon Van Etten, Norah Jones, Marc Martel, Finneas, Starflyer 59, Switchfoot, Global Genius, Tim Be Told, Waxahatchee, Haim, and Elbow.Continue reading
Welcome to the penultimate section of the Top 100 list! We’re looking at nothing but A-grade material from here on out, folks. Before we dig into the next 20 albums I’ve chosen to highlight, let’s talk about what genres are represented on this list.
Admittedly the concept of “genre” is a tricky thing to define, and I’ve played fast and loose with it as I’ve reviewed albums over the years, sometimes not applying genre tags consistently to the same artist making more or less the same style from one album to the next. or they’ve undergone a radical change in their sound, and yet I still consider them part of the old genre in my mind because they’re still associated with that scene. It’s more of an art than a science, and often the records that excite me most will dabble in a wide array of genre influences, making an accurate descriptor for their sound as a whole rather difficult to nail down.Continue reading
Out of the increasingly eclectic list of albums that makes its way into my Spotify playlists (and eventually my physical collection, wherever possible), here’s the stuff that I enjoyed the most in 2017, and that I would absolutely recommend, with no reservations, to anyone whose favorite type of music can best be described as “stuff that challenges me in some way but that is always super catchy”. (Is that not a musical genre? it should be.)
It’s that time of year again where I run through the list of songs that inspired me, entertained me, or just plain got stuck in my head for amusing reasons, more than any other songs in the last 12 months. Most of these were released in 2017. Some came out in 2016 and I either didn’t hear them until this year or didn’t come to fully appreciate them in time for last year’s list. I’ve given brief explanations and YouTube links for the Top 30. For the rest… just check the reviews where they’re linked, if you’re curious.
And as always, many of these songs (limit one per artist) are collected in my 2017 in a Nutshell playlist over on Spotify.
Album: Something to Tell You
In Brief: No shocking changes here – the Haim sisters stick largely to what worked on their first album. There might be a few more slick R&B grooves and guitar solos that sneak up on you, and that helps to keep this from feeling like a total retread of Days Are Gone. Still, that album is slightly better song-for-song than this one.Continue reading
Here are my first impressions of the latest releases from Jennifer Knapp, Haim, Coldplay, Radiohead, P.O.D., John Reuben, and Arcade Fire.
As always, I’m closing the year out with a summary of my favorite records from the year gone by. The only qualifying factors to make this list are that they must be full-length albums consisting of new material (I have a separate section for EPs and collections of previously released material), with a release date in 2014. Everything I really enjoyed this year that falls outside of those boundaries still gets a mention, just not a ranking.
It was really hard to pick a clear #1 this year. I love the top four albums on this list just about equally. Two are more “baroque” pop records that lean toward the electronic and experimental, and two are more in-your-face rock records. They’re the only “A grades” that I gave out this year. Which one is my favorite among them changes based on my mood, so I basically gave the #1 slot to the one I’ve enjoyed for the largest chunk of the year. I can’t imagine very many other people who would ever actually listen to all four of them, let alone like them all, but they all come with my highest recommendations for anyone into the types of music these individual artists are making.
It’s that time of year again, when I arbitrarily sort through the list of songs I’ve been obsessed with over the past 12 months, and try to whittle it down to a semi-reasonable list of 100 favorites. A lot of these were released in 2013, and a few even in 2012, but as usual, I was late to the party.
Music videos and some live performances are embedded for most of the Top 30. I didn’t want to go too far beyond that, for fear of crashing your browser. I’ve also created a Spotify playlist that explores a number of these favorites, more or less chronologically in the order that I discovered them.
Album: Days Are Gone
In Brief: Sort of the DIY version of the ideal early 90s R&B/pop album. The Haim sisters’ songs may be a bit on the fluffy side, but their attitude is infectious and their work ethic is admirable.
I’ve decided to start listing a rundown at the end of the month, of whatever I listened to during that time that was newly released, or at least new to me. For the first installment, I’ll give my brief impressions of the latest releases from Arctic Monkeys, Queens of the Stone Age, Derek Webb, Chvrches, Haim, Owel, Rosanne Cash, and Switchfoot. Full reviews to follow on most of these in the coming months…