Before we get on with the next 20 albums in my decade-end list, I thought it’d be interesting to break down all 100 by which year they came out.
9 of these albums came out in 2010. 17 of these albums came out in 2011. 10 of these albums came out in 2012. 18 of these albums came out in 2013. 7 of these albums came out in 2014. 9 of these albums came out in 2015. 6 of these albums came out in 2016. 9 of these albums came out in 2017. 12 of these albums came out in 2018. 4 of these albums came out in 2019.
(Yes, I know that the numbers above add up to 101. One of these albums was re-released, and I’m having a hard time choosing which version I like better. That’ll be addressed down below.)
If you’ve never heard of Gungor at all, and your first question upon hearing a song of theirs is, “Is this a Christian band?”, then my answer is: Yes. No. Kinda.
Normally in this monthly column, I’m going to be writing about bands that are defunct, or at the very least have stopped recording and touring for the foreseeable future. Gungor is a curious exception, because there are literally days to go in the band’s farewell tour. A week or so from when I publish this, Gungor as a distinct musical entity will be considered a thing of the past. Its two members, Michael and Lisa Gungor, certainly have plans to continue making music, just not under that name. I’m intrigued to see what these two might cook up with all past constraints and preconceived notions completely gone. I feel like they’ve already done a bang-up job of challenging our assumptions, not just about the kind of music they make but about the parameters that define the Christian faith ourselves, over the years. It seems like now’s as good a time as any to honor the end of an era, and take a (shorter than my usual) walk down memory lane to revisit my favorite songs that the duo have put out in the eight years I’ve considered myself a fan.
This is the fourth and final (for now, at least) part of a series chronicling each year of my life as viewed through the lens of a song that was meaningful to me in some way that represents a significant aspect of my life experience in that year. This segment covers the fourth decade of my life. Be sure to catch up on Part 1, Part 2, and Part 3 first.
This is the music I’ll remember the most when I think back on 2016. Not just the great singles (though these albums have plenty of those) or the dark horse picks buried deep in the track listings (tons of those too, though), but the way these records all flow from song to song, creating a continuous listening experience that makes spending nearly an hour of time with each artist (or more, in a few cases) worthwhile. On my most cynical days, I’d say that thanks to both terrestrial radio doing its thing and the ephemeral lifecycle of most songs and artists that go “viral” on social media, the single is a much more easily digestible and obtainable format for popular music nowadays, putting the album in danger of becoming a lost art. But from the very obscure to the decidedly mainstream, every record on this list would be here to prove me wrong.
The final days of 2016 are upon us, and that can only mean one thing – it’s time for some long lists that try (perhaps in vain) to sum up the best music I was listening to this year. As always, I’ll start with the individual songs that stood out to me the most. The in-depth reasons why I love these songs so much are mostly spelled out in the album reviews I’ve linked to from here, but in addition to the usual video evidence, I’ve also included a quick blurb for each of the Top 30 entries, just to keep it from being a long list with no explanation whatsoever, I guess.
I’ve also made a Spotify playlist that collects a lot of these highlights, if you’d like to spend a few hours following along. (That one’s ordered more as I discovered the songs, not so much how I’d rank them now, and it’s limited to one track per artist.)
Artist: Gungor Album: One Wild Life: Body Year: 2016 Grade: B
In Brief: While Soul still has the highest concentration of my personal favorite songs from the One Wild Life trilogy, the sheer ambition of Body and the stylistic ground covered here is hard to ignore. It’s a brave, albeit imperfect and somewhat awkwardly paced, album from a band that continues to challenge the notion of what “Christian music” should be about.