In Brief: A smart but subdued folk/bluegrass record from an all-female trio that at times appears to be holding back the full power of their vocal harmonies and songwriting skills. This took a while for me to fully get into, but I can now say that I’m with I’m With Her.
Deep into Katie Herzig‘s set at the Troubadour in West Hollywood last night, as she was playing an acoustic version of the fan favorite track “Hologram” by request, two odd realizations suddenly came to me:
- Wow, this was the first Katie Herzig song I ever heard, and that was 10 frigging years ago.
- Why wasn’t this song a huge hit?!?!?!
Now, there are a ton of more-or-less independent artists I follow who seem to have a strong cult following on the Internet, and who I could get salty about in terms of the mainstream pretty much ignoring them. But a lot of them make music that might not be “catchy” in the conventional sense, so I’m cool with it not being mainstream radio fare. Katie Herzig, though, seems to be the type of unabashedly poppy singer.songwriter who should have had a real shot at some hits back in the late 2000s. I probably only think that because I’ve always been super out-of-touch with what it takes to actually make music popular, but regardless: “Hologram” was a fun, upbeat, ridiculously catchy, self-effacing song about relationship failure that should have found a much larger audience.
In Brief: In celebrating the resurrection of Christ, which is the middle part of a three-part story he’s been working on since 2008, Andrew Peterson delivers an upbeat and triumphant set of songs, which can sometimes be rather middle-of-the-road and mildly corny, but I still appreciate the thematic resonance it has with the first (last?) entry in the trilogy.
In Brief: This mellow but exquisitely constructed prelude to Resurrection Letters, Part 1 might actually be superior to its parent project. This is a nice little meditative morsel, ideal for Ash Wednesday or Good Friday, or any time the listener wants to reflect on the meaning of Christ’s death on the cross.
Jon Foreman’s “25 in 24” tour provided not only a fascinating behind-the-scenes glimpse at how his unlikely feat of performing 25 shows in 24 hours came to be a few years ago, but also reminded fans of just how deeply his conviction to live each and every hour of life he’s been given to the fullest still runs. This was a breathtaking show, with unique arrangements of songs from Foreman’s solo albums and a few fan-selected Switchfoot tracks, revealing entire new worlds of possibility behind even songs I’d known and loved for close to two decades.
Artist: The Secret Sisters
Album: You Don’t Own Me Anymore
In Brief: A solid third effort from the Alabama country/folk duo. It doesn’t quite have the same edge as Put Your Needle Down, and as a result the songs can feel a bit samey after a while, but I get that pop/rock crossover appeal might not have been the intent here.
Artist: Ed Sheeran
In Brief: Ed takes his music in a few new directions that I appreciate, and occasionally he shows some real wit in the songwriting department. But so much of this album feels calculated to clone the success of past singles and to pander to as wide an audience as possible. It drags down an otherwise enjoyable experience.