The Best of the Tenny Tweens, Part III: 41-60

We’re at the midpoint of the list now… this is where the absolute best of the B-plus range starts to blend into the A-minus range. But first, some more fun facts (or at least, facts that a nerdy analytical guy like me considers fun), this time related to geography. Where in the world are all of these artists from?

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Florence + The Machine – High as Hope: THIS IS NOT AN ENDING.

Artist: Florence + The Machine
Album: High as Hope
Year: 2018
Grade: C+

In Brief: The stripped down approach and more starkly personal lyrics are a strong move… in theory. But this just plain doesn’t work for a powerhouse vocalist and an eccentrically creative songwriter of Florence’s caliber. The production mushes everything together whenever the music tries to pick up a little steam. The songs have an irritating habit of cutting off before they really feel like they should end. And whatever’s left of “The Machine” feels like it’s too timid to assert itself the way it used to.

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What Am I Listening To? – June 2018

Wow, June was a crazy month for new music. Probably because there were five Fridays. A bunch of stuff I was looking forward to dropped on June 1, and then again just yesterday on June 29. Because I prefer to have listened to something a bare minimum of twice before mentioning it here, and just for the sake of my overall sanity, I’ve decided to punt a few of those June 29 releases to July, so that I can focus more on the few that I did manage to get to thus far.

Here are my first impressions of the latest releases from Sucré, Owl City, Neko Case, Father John Misty, The Flaming Lips, Dave Matthews Band, Arthur Buck, Kevin Max, Mike Shinoda, Florence + The Machine, Jim James, and Katie Herzig.

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Obsessive Year-End List Fest 2015: Favorite Albums (and Honorable Mentions)

Here’s the cream of the crop, folks – the list of albums that captivated me most in the year 2015. While some of these picks are likely about as predictable as the likelihood of a YouTube comments section devolving into a vicious political flamewar, there are a few cases here where I genuinely surprised myself by falling in love with an artist or even a genre that I had previously decided was “just not my thing”. I hope the music that comes out in 2016 challenges me in similar ways.

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Obsessive Year-End List Fest 2015: Favorite Songs

The first order of business as 2015 comes to a close is to sift through all of my favorite songs that I first heard this year (or perhaps late last year, and it just took me a little longer to appreciate them) and attempt to put them in order, which as usual starts to get a bit silly below the top 30 or so. Music videos and some live performances are embedded for that first chunk of the list. As I’ve done in previous years, I’ve also got a Spotify playlist that covers a lot of these, limited to a song per artist and more in chronological order of when I discovered them.

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Florence + the Machine – How Big, How Blue, How Beautiful: What kind of band grooves like this?


Artist: Florence + the Machine
Album: How Big, How Blue, How Beautiful
Year: 2015
Grade: B+

In Brief: A powerful set of pipes plus a talent for bringing together the best parts of indie rock, baroque pop, and soul music makes this a formidable set of songs. It’s only when Florence & Co. put the brakes on that the results start to feel a bit more generic, but even then, her vocal performance is sublime enough to get me through to the good stuff on the other side. (Interestingly, the deluxe edition’s bonus tracks offer a glimpse at stronger material that didn’t make the cut for whatever reason.)

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