Here are my first impressions of the latest releases from Rosanne Cash, The Lone Bellow, Muse, Crowder, Fleet Foxes, Esperanza Spalding, Mumford & Sons, P.O.D., Chvrches, Kevin Max, and My Brightest Diamond.Continue reading
Out of the increasingly eclectic list of albums that makes its way into my Spotify playlists (and eventually my physical collection, wherever possible), here’s the stuff that I enjoyed the most in 2017, and that I would absolutely recommend, with no reservations, to anyone whose favorite type of music can best be described as “stuff that challenges me in some way but that is always super catchy”. (Is that not a musical genre? it should be.)
It’s that time of year again where I run through the list of songs that inspired me, entertained me, or just plain got stuck in my head for amusing reasons, more than any other songs in the last 12 months. Most of these were released in 2017. Some came out in 2016 and I either didn’t hear them until this year or didn’t come to fully appreciate them in time for last year’s list. I’ve given brief explanations and YouTube links for the Top 30. For the rest… just check the reviews where they’re linked, if you’re curious.
And as always, many of these songs (limit one per artist) are collected in my 2017 in a Nutshell playlist over on Spotify.
Artist: Fleet Foxes
In Brief: A strangely fractured, and yet strangely beautiful, third album from a band that was clearly restless to expand upon their old sound without completely abandoning it. My opinion of it seems to change with every listen, but it’s slowly inching in a more positive direction. I think this band is challenging its fanbase in mostly good ways.Continue reading
Here are my first impressions of the latest releases from Fleet Foxes, The Secret Sisters, Matisyahu, Umphrey’s McGee, Matt Wertz, Alt-J, Evanescence, and Mae.
2011 was truly an exceptional year for music. It just took me the better part of the year to realize it. Most years, I’m lucky to stumble across at least four albums deserving of the five-star rating that I seem to award more and more rarely these days. But this year, in addition to the four or five that I knew I had to give instant A’s, there were several more albums that persuaded me to bump them up from a carefully considered B at the last minute as I reviewed them and realized how well thought-out even some of their lesser songs were. Now almost my entire Top 10 is comprised of A-grade material. I’m stoked about that. What has been a year full of personal turmoil, possible the most emotionally difficult of my life so far, will at least contain a lot of beauty and grace when I look back upon it years from now, and a lot of that will be due to the music I fondly remember for helping me to make my way through it all.Continue reading
Fleet Foxes put on a solid show at the Greek Theater tonight. It was my first time seeing them live, and an outdoor venue was the perfect place for it – moon shining overhead, crickets chirping in the background, those pristine vocal harmonies echoing off into the clear night. Full setlist is in my main concert journal entry. I could go into a lot of detail, but just to summarize, I’ll say that FF is capable of a wall of sound that packs a real punch, so it’s not always the chill “acoustic sensitive” experience you’d expect, even though the live arrangements are mostly faithful to the album versions (with some variance in tempo for dramatic effects, usually during the harmony-heavy vocal breaks). The only thing I’d knock off points for – and only meager points at that – would be their awkward stage presence – little bits of funny between-song banter here and there, but it’s a bit disruptive to the mood of their songs and you can tell they’re trying to fill time while retuning (which they have to do a lot – they even opened with awkward silence and stage banter before getting tuned right for their first song). No biggie. When they’re playing, they’re awesome, and they hit pretty much every highlight from their past and present records that I could think of, with maybe “Drops in the River” being the one exception I would have liked to hear but didn’t.