In Brief: Björk’s longest album to date is one of her happiest and most peaceful. It’s also one of her most baffling and exhausting. Longtime fans will find echoes of some of her classic works here, and will also probably appreciate the more ambient/avant-garde new direction as well. But song-for-song, this may be her most difficult album to appreciate as a whole since Medúlla.
Artist: Lewis Del Mar
Album: Lewis Del Mar
In Brief: An interesting blend of Latin-inspired rhythms and guitar parts with indie/experimental rock sensibilities that are equal parts ambient and abrasive. Not every experiment works, but the effect of these unique ingredients coming together can be quite alluring when they get it just right.
Album: One Wild Life: Body
In Brief: While Soul still has the highest concentration of my personal favorite songs from the One Wild Life trilogy, the sheer ambition of Body and the stylistic ground covered here is hard to ignore. It’s a brave, albeit imperfect and somewhat awkwardly paced, album from a band that continues to challenge the notion of what “Christian music” should be about.
Artist: Bon Iver
Album: 22, A Million
In Brief: Some call 22, A Million an astounding work of art, some call it a messy headache that’s been Autotuned to within an inch of its life. I land somewhere in between. Some intriguing ideas here and there, and I come back to the album a lot, but it’s too scattershot to really hold my interest.
Album: One Wild Life: Spirit
In Brief: While more upbeat and rhythmic than its predecessor Soul, Gungor stumbles slightly in the lyrics department here by being a little too vague about their spirituality at times while being a little too didactic when they get more specific. I don’t disagree with anything they’ve got to say here; I just question whether this is the best way to present these thoughts in musical form.
Artist: Animal Collective
Album: Painting With
In Brief: While the hyperactive vocals and wall-of-sound approach can get exhausting over 12 tracks, there’s a certain economy to hitting listeners with a solid beat and a hook without belaboring the point, and I find this appealing. It’s no Merriweather Post Pavilion, but this is a way easier record to get into than the overwrought Centipede Hz.
In Brief: At times immediate and delightful, and at times slow, cerebral and perplexing, the opening chapter in Gungor’s new trilogy of albums celebrates the gift of life and the sense of loving unity that should be felt when Christians are at their best, at times coming back around to embrace the “contemporary worship” tag we once applied to their music, while still challenging the norms of that genre in fascinating ways.