Bon Iver – i,i: I’d throw another “i” in there, and an exclamation point for good measure.

Artist: Bon Iver
Album: i,i
Year: 2019
Grade: C+

In Brief: Bon Iver’s fourth album isn’t the radical sonic leap forward that albums #2 and #3 were. At times, Justin Vernon seems hell-bent on sabotaging the melodies and structures of his songs with harsh noise, or bridges and outros that lazily drift off into nothingness. One could argue that this was a bold experiment on 22, A Million, but the highlights were much stronger on that record. Here, even the strongest tracks don’t compel me to stick around long enough to puzzle over what it could all mean, and this is the first time I’ve honestly felt that way about a Bon Iver record.

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Liam Singer – Finish Him: You won’t hear this album in Nordic cathedrals. But it’s still quite divine.

Artist: Liam Singer
Album: Finish Him
Year: 2019
Grade: A

In Brief: Singer’s expressive, percussive, and incredibly intricate style of piano-based indie pop music, with occasional choral and electronic accents, is truly a magnificent thing to behold. Equal parts playful and confident, uncertain and exploratory, this hour-long album makes me feel a level of excitement over discovering a brilliant new artist that I experience maybe two or three times a decade. (And this is his fifth album, which means I’ve been missing out for quite some time now.)

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Björk – Utopia: Did I just fall in love with love?

Artist: Björk
Album: Utopia
Year: 2017
Grade: C+

In Brief: Björk’s longest album to date is one of her happiest and most peaceful. It’s also one of her most baffling and exhausting. Longtime fans will find echoes of some of her classic works here, and will also probably appreciate the more ambient/avant-garde new direction as well. But song-for-song, this may be her most difficult album to appreciate as a whole since Medúlla.

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Lewis Del Mar: Build Yourself a Technicolor Masterpiece.

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Artist: Lewis Del Mar
Album: Lewis Del Mar
Year: 2016
Grade: B

In Brief: An interesting blend of Latin-inspired rhythms and guitar parts with indie/experimental rock sensibilities that are equal parts ambient and abrasive. Not every experiment works, but the effect of these unique ingredients coming together can be quite alluring when they get it just right.

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Gungor – One Wild Life: Body – We’ve come a long way, we keep on evolving.

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Artist: Gungor
Album: One Wild Life: Body
Year: 2016
Grade: B

In Brief: While Soul still has the highest concentration of my personal favorite songs from the One Wild Life trilogy, the sheer ambition of Body and the stylistic ground covered here is hard to ignore. It’s a brave, albeit imperfect and somewhat awkwardly paced, album from a band that continues to challenge the notion of what “Christian music” should be about.

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Bon Iver – 22, A Million: God, the Devil, and 13013

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Artist: Bon Iver
Album: 22, A Million
Year: 2016
Grade: C+

In Brief: Some call 22, A Million an astounding work of art, some call it a messy headache that’s been Autotuned to within an inch of its life. I land somewhere in between. Some intriguing ideas here and there, and I come back to the album a lot, but it’s too scattershot to really hold my interest.

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Gungor – One Wild Life: Spirit – Consonance isn’t always peaceful. Dissonance isn’t always evil.

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Artist: Gungor
Album: One Wild Life: Spirit
Year: 2016
Grade: B-

In Brief: While more upbeat and rhythmic than its predecessor Soul, Gungor stumbles slightly in the lyrics department here by being a little too vague about their spirituality at times while being a little too didactic when they get more specific. I don’t disagree with anything they’ve got to say here; I just question whether this is the best way to present these thoughts in musical form.

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