It’s inevitable most years that some of the best music I listen to either isn’t going to fit strictly into the album format and thus won’t be eligible for my Favorite Albums list, or else it’ll have been released the previous year, and thus get added to that year’s list retroactively. In 2019 in particular, there were enough cases of this that I’m basically willing to consider this rundown of EPs, live albums, re-releases, and/or seasonal albums as my “Honorable Mentions” list for the year. 2018 also proved to be the gift that kept on giving, as I got turned on to several strong releases that I hadn’t known about yet when I wrote up last year’s countdown.Continue reading
2019 was a weird year for me, in terms of the music I enjoyed most. A lot of artists put out genuinely great singles, only to follow them up with lackluster albums, EPs as stopgaps between albums, or really nothing at all. It’s a good thing I was following all of my favorite artists on Spotify, as well as some newer ones I was curious to hear more from, or else I might have not heard a good quarter of this list until 2019, if ever. Usually the vast majority of my Top 100 songs for the year comes from my favorite albums released that year, with some spillover from the year before. While that’s still true in 2019, it’s worth noting that nearly a tenth of my list this time comes from EPs or compilations rather than albums, and close to another tenth of the list is made up of non-album singles, that have yet to be attached to a larger collection of songs (assuming that will ever happen at all). While this speaks to the ability of many of my favorite artists to strike while the iron is hot in terms of getting new music out, it also worries me slightly where the longevity of the album format is concerned. But that’s an issue to discuss when I get to my list of Favorite Albums for the year. My Favorite Songs list, while eclectic and probably whiplash-inducing at certain points, definitely required some tough decision-making because there were so many great songs that spoke to me this year. At the end of the day, whether a song is part of a larger narrative or not, that’s really all that matters – whether the song stands out to me as unique in some way, and makes me want to keep coming back to listen to it over and over again. And everything on this list passed that test with flying colors!
As I do each year, I’ll give some insight into my reasons for picking the Top 30, and you can assume after that point that the ordering is somewhat arbitrary. Many of these songs (limit one per artist) are collected in my 2019 in a Nutshell playlist over on Spotify.Continue reading
Here are my first impressions of the latest from The Shins, Death Cab for Cutie, Lovebites, Django Django, Global Genius, Belle & Sebastian, Thom Yorke, Brittany Howard, M83, and The New Pornographers.Continue reading
Artist: Django Django
Album: Marble Skies
In Brief: A powerhouse synthpop/electronic rock album that knows when to ham it up and when to peel back the layers a bit for more of an organic performance. Just when you think you’ve got them figured out, something different happens. This is my kind of band for sure.Continue reading
January is always the month when I get to catch up on recommendations from fellow music lovers that I wasn’t aware of in time to evaluate them for myself in the previous year. Thus, if you’re someone who knows me personally, or if you run a blog/YouTube channel that I follow, and you posted some sort of a “Best of 2018” list toward the end of the year, there should be at least one thing you recommended that I decided to check out for myself this month.
Here are my first impressions of the latest from Django Django, Iceage, Lovebites, Myles Kennedy, Kacey Musgraves, Snail Mail, The Nor’easters, Coldplay, Evanescence, Switchfoot, and a compilation from Blurescent Records.Continue reading