Artist: Crowder Album: I Know a Ghost Year: 2018 Grade: C
In Brief: There’s too much material, and a distressing amount of it is rather bland. I’ll always admire Crowder’s penchant for mashing up different genres into his own unique little worship service, but he’s starting to do it in ways that feel a bit cliched, in light of these things not being considered risky in modern pop music for some time now.
Here are my first impressions of the latest releases from Rosanne Cash, The Lone Bellow, Muse, Crowder, Fleet Foxes, Esperanza Spalding, Mumford & Sons, P.O.D., Chvrches, Kevin Max, and My Brightest Diamond.
It’s that time of year again where I run through the list of songs that inspired me, entertained me, or just plain got stuck in my head for amusing reasons, more than any other songs in the last 12 months. Most of these were released in 2017. Some came out in 2016 and I either didn’t hear them until this year or didn’t come to fully appreciate them in time for last year’s list. I’ve given brief explanations and YouTube links for the Top 30. For the rest… just check the reviews where they’re linked, if you’re curious.
And as always, many of these songs (limit one per artist) are collected in my 2017 in a Nutshell playlist over on Spotify.
Artist: Crowder Album: American Prodigal Year: 2016 Grade: B
In Brief: The genre mash-up works a lot better here than it did on Neon Steeple, feeling more like a statement of identity than a mere gimmick. What Crowder may lack in lyrical specificity, he more than makes up for by bringing urban and rural sounds together in intriguing ways.
The final days of 2016 are upon us, and that can only mean one thing – it’s time for some long lists that try (perhaps in vain) to sum up the best music I was listening to this year. As always, I’ll start with the individual songs that stood out to me the most. The in-depth reasons why I love these songs so much are mostly spelled out in the album reviews I’ve linked to from here, but in addition to the usual video evidence, I’ve also included a quick blurb for each of the Top 30 entries, just to keep it from being a long list with no explanation whatsoever, I guess.
I’ve also made a Spotify playlist that collects a lot of these highlights, if you’d like to spend a few hours following along. (That one’s ordered more as I discovered the songs, not so much how I’d rank them now, and it’s limited to one track per artist.)
As always, I’m closing the year out with a summary of my favorite records from the year gone by. The only qualifying factors to make this list are that they must be full-length albums consisting of new material (I have a separate section for EPs and collections of previously released material), with a release date in 2014. Everything I really enjoyed this year that falls outside of those boundaries still gets a mention, just not a ranking.
It was really hard to pick a clear #1 this year. I love the top four albums on this list just about equally. Two are more “baroque” pop records that lean toward the electronic and experimental, and two are more in-your-face rock records. They’re the only “A grades” that I gave out this year. Which one is my favorite among them changes based on my mood, so I basically gave the #1 slot to the one I’ve enjoyed for the largest chunk of the year. I can’t imagine very many other people who would ever actually listen to all four of them, let alone like them all, but they all come with my highest recommendations for anyone into the types of music these individual artists are making.