In Brief: Another strong entry from Katie that deftly balances immediate, hook-driven, fun-loving pop singles with more intricate and unusual arrangements on some of the deep cuts. It’s not quite the home run that her previous two albums were, but it’s pretty darn close, and her message of self-determination and pride in one’s identity feels like it’s needed more now than ever.
Album: We Can Die Happy EP
In Brief: A worthy companion piece to one of 2017’s most blissful indie pop records. There’s a slight bit more bounce to a few of these, but still, the band could have slipped any of them on to Yours Conditionally and they’d have been right at home.
Album: Yours Conditionally
In Brief: Tennis has a laid-back, breezy, sunny sort of indie pop style that feels like a less gloomy, more innocent Beach House. It’s an easy sound to fall in love with, though the lack of variance in tone and tempo can start to get repetitive toward the album’s end.
Album: One Wild Life: Body
In Brief: While Soul still has the highest concentration of my personal favorite songs from the One Wild Life trilogy, the sheer ambition of Body and the stylistic ground covered here is hard to ignore. It’s a brave, albeit imperfect and somewhat awkwardly paced, album from a band that continues to challenge the notion of what “Christian music” should be about.
Album: One Wild Life: Spirit
In Brief: While more upbeat and rhythmic than its predecessor Soul, Gungor stumbles slightly in the lyrics department here by being a little too vague about their spirituality at times while being a little too didactic when they get more specific. I don’t disagree with anything they’ve got to say here; I just question whether this is the best way to present these thoughts in musical form.
In Brief: At times immediate and delightful, and at times slow, cerebral and perplexing, the opening chapter in Gungor’s new trilogy of albums celebrates the gift of life and the sense of loving unity that should be felt when Christians are at their best, at times coming back around to embrace the “contemporary worship” tag we once applied to their music, while still challenging the norms of that genre in fascinating ways.
In Brief: Katie has done it again! I expected a return to more acoustic music after the colorful sonic adventures of The Waking Sleep, but instead she’s upped the ante with her most electronic – and perhaps her most compellingly human – album to date.