You know you’re a huge fan of a band when a friend asks you how many times you’ve seen them live, and you realize you’ve lost count. It’s funny, because I haven’t really considered myself a massive Switchfoot fan for quite a while, probably since the mid-2000s when The Beautiful Letdown hit it big, and was admirably followed up by Nothing Is Sound and Oh! Gravity. Paradoxically, that’s my favorite era of Switchfoot’s discography, and yet I got to the point where I became downright sick of the most well-known songs from those albums being must-plays in their setlists. It’s probably because I saw them live several times that decade, and when I see a band live multiple times, I prefer to hear them play stuff from their newer albums, or if they’re gonna play old stuff, I’d like to hear a few I’ve never heard live before. The Beautiful Letdown is my favorite Switchfoot album (an area where I’d guess I’m agreement with the majority of their fans), but I’d be perfectly fine never hearing that album’s heavy-hitters “Dare You to Move”, “This Is Your Life”, or “Meant to Live”, from them ever again. I love those songs. A ton of other people do too, and I guess I can’t fault someone who shows up, never having seen the band before, for wanting the trip down memory lane. It was because of this (and a string of less than impressive albums in the late 2000s/early 2010s) that I cooled off on seeing them live for a while after witnessing a just-OK live set on their tour for Vice Verses in 2011. (Even then, there were a couple of Fiction Family shows in between, and the Jon Foreman solo show I went to this time last year, because he is simply one of my favorite people in the entire universe.) This year’s Native Tongue isn’t really one of my favorite albums of theirs, either, but 2016’s When the Light Shines Through was a pleasant surprise that seemed a bit underrated among the fanbase, and I kicked myself for missing out on their tour with Relient K that year (who themselves had just put out the startlingly excellent Air For Free). When they announced a tour with Colony House slated for this spring, I knew I couldn’t let the opportunity pass me by.Continue reading
Out of the increasingly eclectic list of albums that makes its way into my Spotify playlists (and eventually my physical collection, wherever possible), here’s the stuff that I enjoyed the most in 2017, and that I would absolutely recommend, with no reservations, to anyone whose favorite type of music can best be described as “stuff that challenges me in some way but that is always super catchy”. (Is that not a musical genre? it should be.)
It’s that time of year again where I run through the list of songs that inspired me, entertained me, or just plain got stuck in my head for amusing reasons, more than any other songs in the last 12 months. Most of these were released in 2017. Some came out in 2016 and I either didn’t hear them until this year or didn’t come to fully appreciate them in time for last year’s list. I’ve given brief explanations and YouTube links for the Top 30. For the rest… just check the reviews where they’re linked, if you’re curious.
And as always, many of these songs (limit one per artist) are collected in my 2017 in a Nutshell playlist over on Spotify.
Artist: Colony House
Album: Only the Lonely
In Brief: I kind of outgrew Steven Curtis Chapman, but his sons’ band turned out to be right up my alley. This is a big, loud, upbeat, and massively catchy pop/rock record – hardly anything new in 2017, yet it feels refreshing due to its commitment to an energetic, live performance-oriented sound.Continue reading
Here are my first impressions of the latest releases from Phantogram, Lisa Hannigan, Tom Hummer, Tim Be Told, The Flaming Lips, Colony House, and the Hidden Figures soundtrack.