Artist: Christine Denté Album: Closer to Free EP Year: 2017 Grade: B
In Brief: A delightful morsel of mellow pop music from one of the very first pop singers I ever fell in love with. This is probably the closest that Christine as a solo artist has come to the classic Out of the Grey sound – just imagine more of a keyboard-based take on that, with the usual understated but smart songwriting, and you’ll have some idea of what to expect here.
As always, I wanted to give a mention to the music I enjoyed this year that didn’t fit the traditional “album” format, or else that was released in 2016 and I didn’t catch up to it until this year. Either way, none of it’s eligible for my Top 20 list, but all of it is definitely worth checking out if anything I have to say here piques your interest.
Here’s the best of what I was listening to as the previous decade closed out. While I definitely ended the 2000s in a much better place than I was at the beginning of that decade, there had definitely been some hard times toward the end of 2009, and we were looking forward to a year-end trip to visit family in Hawaii. I can tell looking back at a lot of these songs that I was really longing for some rest and recreation with a beautiful beach as the backdrop.
2007 was the rare year where I actually embraced and enjoyed the winter season, as evidenced by the Christmas and winter-themed songs that dominate the end of Disc Two. Southern California winters are not known for being snowy, but there’s winter imagery to be found if you’re looking for it. As a deliberate contrast, the first several songs on Disc One are dominated by the theme of fire. Because, unfortunately, wildfires are a common feature of California autumns.
In the summer of 2004, I began to set plans in motion to take hold of the future I really wanted for myself and Christine. Slightly hampering those plans: A few sudden, unexpected financial difficulties. It was demoralizing at first, but I was beginning to believe quite strongly in the value of delayed gratification.
I was really high on life when I made this mix. While it isn’t without the usual aggressive, angsty, and melodramatic material, I feel like there was a conscious scaling back on that side of things to allow more room for the wistful, romantic stuff. That’s what best represented how I was feeling at the time.
In with the New:
Something Like Silas