In Brief: A delightful morsel of mellow pop music from one of the very first pop singers I ever fell in love with. This is probably the closest that Christine as a solo artist has come to the classic Out of the Grey sound – just imagine more of a keyboard-based take on that, with the usual understated but smart songwriting, and you’ll have some idea of what to expect here.
Artist: Cool Hand Luke
In Brief: An unexpected return from an artist I assumed had hung it up for good back in 2011. The new sound is a little more groove-based, but doesn’t abandon the piano-heavy indie rock sound CHL had established in their mid-career. This is a strong effort, easily on par with The Sleeping House.
Artist: Jennifer Knapp
Album: Love Comes Back Around
In Brief: While it’s a thematically warmer record that opens up a little more about the long-term relationship that Jennifer has been in, I’m not finding a whole lot here that keeps me engaged on a musical level. She’s played it safe with her mid-tempo heartland rock/adult contemporary style for two albums in a row now, and that’s a bit frustrating given the unique perspective that she has to offer.
Artist: John Reuben
In Brief: The Christian rapper – who has become increasingly uncomfortable with how both aspects of that label describe his work – makes a surprisingly strong comeback after an eight-year absence. Reubonic is as offbeat and weird as a lot of his best work, and it has no pretense of wanting to be mainstream, but it also makes some excellent points in intriguing ways.
Artist: Tim Be Told
Album: Friends and Foes
In Brief: I admire Tim’s vulnerability as he takes a peek into broken relationships and tries to figure out where things went wrong and how to take the first steps toward reconciliation. But while Tim is a fabulous singer, the music on this record is often a bit too pretty and pristine to really match the conflicts that have led him to bare his soul.
Artist: Out of the Grey
Album: A Little Light Left
In Brief: While it’s quite different from the glossy, catchy and quirky pop tunes of their 90s heyday, Out of the Grey has created a mellow and mostly acoustic record that feels authentic to who they are now. It’s not so much a comeback as it is a welcome visit from old friends you haven’t seen in ages.
Album: American Prodigal
In Brief: The genre mash-up works a lot better here than it did on Neon Steeple, feeling more like a statement of identity than a mere gimmick. What Crowder may lack in lyrical specificity, he more than makes up for by bringing urban and rural sounds together in intriguing ways.