Here are the albums that I had the toughest time making it all the way through in 2018. At the top of the list are the merely mediocre records that I almost wanted to rescue from the “dishonorable” pile, but that just didn’t have enough good to outweigh the bad. As you get further down, the list gets more and more abysmal, to the point where I can’t even come up with a track highlight to make a case for why it’s not all bad.
Wow, did I really try to digest fourteen new albums this month? (OK, actually ten albums and four EPs, but still.) That’s a bit much, even for me. September had no shortage of intriguing releases, but I’ve actually had to save a few for October, just to make sure I have time to catch my breath after some of the Friday morning new music rituals that are now regularly stretching well into the afternoon.
Here are my first impressions of the latest releases from Iron & Wine, Matthew Thiessen & The Earthquakes, St. Paul & The Broken Bones, mewithoutYou, Animal Collective, Thrice, Yoav, Steven Page, Wye Oak, The Last Bison, Frontperson, Metric, Aphex Twin, and Mae.Continue reading
The new year brings with it a smattering of projects I missed out on over the course of last year – mostly EPs and a few projects that are still in progress. I’m always hungry for new music, but especially after I’ve spent most of December ruminating on the year that came before.
Here are my first impressions of the latest releases from Belle & Sebastian, Animal Collective, Elbow, Portugal. The Man, Brooke Waggoner, The Nor’easters, Dia Frampton, Peter Bradley Adams, Spoon, Paramore, and Calexico.Continue reading
This is the music I’ll remember the most when I think back on 2016. Not just the great singles (though these albums have plenty of those) or the dark horse picks buried deep in the track listings (tons of those too, though), but the way these records all flow from song to song, creating a continuous listening experience that makes spending nearly an hour of time with each artist (or more, in a few cases) worthwhile. On my most cynical days, I’d say that thanks to both terrestrial radio doing its thing and the ephemeral lifecycle of most songs and artists that go “viral” on social media, the single is a much more easily digestible and obtainable format for popular music nowadays, putting the album in danger of becoming a lost art. But from the very obscure to the decidedly mainstream, every record on this list would be here to prove me wrong.
The final days of 2016 are upon us, and that can only mean one thing – it’s time for some long lists that try (perhaps in vain) to sum up the best music I was listening to this year. As always, I’ll start with the individual songs that stood out to me the most. The in-depth reasons why I love these songs so much are mostly spelled out in the album reviews I’ve linked to from here, but in addition to the usual video evidence, I’ve also included a quick blurb for each of the Top 30 entries, just to keep it from being a long list with no explanation whatsoever, I guess.
I’ve also made a Spotify playlist that collects a lot of these highlights, if you’d like to spend a few hours following along. (That one’s ordered more as I discovered the songs, not so much how I’d rank them now, and it’s limited to one track per artist.)
Artist: Animal Collective
Album: Painting With
In Brief: While the hyperactive vocals and wall-of-sound approach can get exhausting over 12 tracks, there’s a certain economy to hitting listeners with a solid beat and a hook without belaboring the point, and I find this appealing. It’s no Merriweather Post Pavilion, but this is a way easier record to get into than the overwrought Centipede Hz.Continue reading
Here are my first impressions of the latest releases from Sia, Dream Theater, The Honey Trees, Animal Collective, and Plumb.