In Brief: In celebrating the resurrection of Christ, which is the middle part of a three-part story he’s been working on since 2008, Andrew Peterson delivers an upbeat and triumphant set of songs, which can sometimes be rather middle-of-the-road and mildly corny, but I still appreciate the thematic resonance it has with the first (last?) entry in the trilogy.
In Brief: This mellow but exquisitely constructed prelude to Resurrection Letters, Part 1 might actually be superior to its parent project. This is a nice little meditative morsel, ideal for Ash Wednesday or Good Friday, or any time the listener wants to reflect on the meaning of Christ’s death on the cross.
Here are my first impressions of the latest releases from Andrew Peterson, Chatham County Line, Kindo, The Colorist Orchestra & Lisa Hannigan, and Kimbra.
A pretty significant change to my listening habits this month is that I’m trying to be more open-minded about listening to singles aside from the albums they may or may not be attached to. I largely stopped paying attention to singles years ago, around when I stopped listening to any form of radio, because the risk of getting a negative first impression of a forthcoming album, or else being frustrated that a good song had been entirely left off of a studio album, seemed to outweigh the potential reward of enjoying the song as a listening experience unto itself. As much as I love to cherry-pick favorite tracks from albums for my own personal playlists, I often don’t discover how much I truly love those songs until I get to hear them in the grander context of a series of songs they were intended to be a part of. I’m more of an “album” guy than a “singles” guy, and that’s probably not gonna change any time soon, but since singles tend to come out so far in advance of the album these days, I figure I might as well be evaluating those songs when most of the artist’s other fans are, rather than being way late to the party when the album finally drops. I probably will still change my mind about some of these after hearing them in their “full album” context, but I think I’m patient and smart enough these days to manage expectations of a forthcoming album when a sneak peek catches me off-guard in some way.
I also finally got around to “following” a number of artists on Spotify, which I’ve discovered causes individual songs to show up in my “Release Radar” playlist as they come out. Or occasionally it’ll go back and pick one for me if it’s been out for a little while but Spotify can tell I haven’t listened to it on my own yet. This should keep me from completely missing out on new albums/singles from artists I had followed in the past but then sort of forgot about, without the hassle of having to manually look them up every now and then just to see if they’ve done anything new recently. I’ve got a running playlist of my own to keep track of these new releases and helpful suggestions from Spotify, at least the ones that seem like they might be worth repeated listens. I figure once those get released on an album and/or I get sick of hearing them on their own, I’ll drop them from the playlist to make room for new stuff. We’ll see how often I manage to squeeze that playlist into my listening habits as it evolves over the months to come.
Now, for the actual albums and EPs I’ve given a try this month. Here are my first impressions of the latest releases from Mike Shinoda, Marika Hackman, Umphrey’s McGee, Sara Groves, Andrew Peterson, Belle & Sebastian, Rostam, and Charlie Peacock.
I don’t like a lot of hodgepodge in my year-end lists of favorite albums. But sometimes the good songs don’t end up on full-length LPs, or else they do and I just don’t discover them in time to put them on that year’s list. This is where all of that stuff goes.
The final days of 2016 are upon us, and that can only mean one thing – it’s time for some long lists that try (perhaps in vain) to sum up the best music I was listening to this year. As always, I’ll start with the individual songs that stood out to me the most. The in-depth reasons why I love these songs so much are mostly spelled out in the album reviews I’ve linked to from here, but in addition to the usual video evidence, I’ve also included a quick blurb for each of the Top 30 entries, just to keep it from being a long list with no explanation whatsoever, I guess.
I’ve also made a Spotify playlist that collects a lot of these highlights, if you’d like to spend a few hours following along. (That one’s ordered more as I discovered the songs, not so much how I’d rank them now, and it’s limited to one track per artist.)
Artist: Andrew Peterson
Album: The Burning Edge of Dawn
In Brief: While not as bold of a musical statement as Light For the Lost Boy, it’s one of Peterson’s most honest and transparent records yet, a confessional and comforting work to help you get through those “dark nights of the soul”.