Here are my first impressions of the latest from Wilco, Derek Webb, Elbow, Jimmy Eat World, Alter Bridge, Coyote Kid, Northern Abbey, and Darlingside.Continue reading
Here are my first impressions of the latest releases from KT Tunstall, Hellogoodbye, The Gray Havens, Jim James, mewithoutYou, St. Vincent, Blitzen Trapper, Kimbra, Alter Bridge, Marc Martel, and Flint Eastwood.
The final days of 2016 are upon us, and that can only mean one thing – it’s time for some long lists that try (perhaps in vain) to sum up the best music I was listening to this year. As always, I’ll start with the individual songs that stood out to me the most. The in-depth reasons why I love these songs so much are mostly spelled out in the album reviews I’ve linked to from here, but in addition to the usual video evidence, I’ve also included a quick blurb for each of the Top 30 entries, just to keep it from being a long list with no explanation whatsoever, I guess.
I’ve also made a Spotify playlist that collects a lot of these highlights, if you’d like to spend a few hours following along. (That one’s ordered more as I discovered the songs, not so much how I’d rank them now, and it’s limited to one track per artist.)
Here are my first impressions of the latest releases from Bon Iver, Gungor, Trails and Ways, Green Day, MuteMath, Regina Spektor, Alter Bridge, and Sleeping at Last.
Artist: Alter Bridge
Album: AB III
In Brief: Somewhere between “Slip to the Void” and “Into the light may you fall” is a vast sea of murky grey, with just enough island oases to make it worthwhile.Continue reading
The beginning of a new year, 2010, and a new third digit in our numbering system for years that indicates I’ll likely never see another year with “0” in that slot for the rest of my lifetime, means that for the first time, this relatively young music fan gets to look back at entire decade (these things being commonly delineated by that third digit even if the technical scientific approach says our decade isn’t over until the beginning of 2011) and try to sum it all up in terms of the music that was meaningful to me over the course of nearly a third of my life. That’s right, I’m just a smidgen over 30, which means that the 2000’s (or the “Ought Nots”, as I’ve decided to call a decade of learning what not to do in retrospect) were my first full decade of being a true music fan. I might have come of age and finished high school and college in the 90’s, and I have my fair share of nostalgic tunes to whisk me back to those days. But this most recent decade was when I truly opened up, with the advent of file sharing and social networking making it remarkably easy to burst the bubble of “Christian music only” that I started out with, to go beyond the basic pop/rock styles largely dominant on the radio, and to really dig deep and find my own musical personality, unburdened by rumors of danger beyond the comfortable fences I had previously built for myself.Continue reading
In the fall of 2008, I was struggling with the idea of change. Some doors were closing in my life – experiences I had greatly enjoyed had come to their natural end, and my natural instinct was to fight that. My whole concept of what it meant to be a Christian in a contentious political climate leading up to the election that year was changing pretty radically. And I can see in this set of songs I put together at the time that there is a lot of coming and going represented in the lyrics here, a lot of leaving people and reuniting, and a lot of need for the assurance that no matter how much change we go through, how much we kick and scream and protest what God is trying to do in us or in the world around us, or how much our very concept of faith might evolve as we leave behind the innocence of youth, God’s love for us is the one permanent thing that will never change.
In with the New:
TV on the Radio
Out with the Old:
It Was Worth a Try:
Family Force 5
Listen on Spotify: